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Amoena and Plicata Iris Patterns (1 of 3)

From “Patterns and Colors of Tall Bearded Irises” in The Iris Book by Molly Price:

“The plicata pattern is said to have originated as a mutation, probably from Iris pallida. These are the ‘freckled’ irises. Plicatas are white or yellow, dotted, feathered, flaked, mottled, or stippled with a second color.

“Fancies are plicata patterns gone wild. ‘Gene Wild‘, intricately netted in rose-red on cream, and its even more richly hued child, “Ankara‘, are typical of the fancy plicata pattern.

“The most unusual examples of a new trend in the plicata pattern are the sparingly stippled white-and-medium-blue plicatas, ‘Moongate‘ and ‘Tea Apron‘. In both, the color is concentrated in the style arms and crests….

“The bicolor iris pattern, with standards of one color and falls of another, usually darker, color, varies from the subtle to the sensational: It includes the amoena and variegata patterns, and a scattering of varieties in other color combinations. The American Iris Society Color Classification makes a nice distinction in its definition of the term bicolor โ€” those varieties in which the second color extends over more than one-half the area of the fall. (If the second color covers less than half the fall area, the variety is classed as a self.)

“The amoena pattern… always meant white standards and purple falls….

“This pattern now includes
strong medium blues as ‘Miss Indiana‘, with beginnings in pink and greenish-brown amoenas, and reverse amoenas with colored standards and white falls. Purple amoenas are effective in gardens. Desirable varieties are ‘Bright Hour‘ and ‘Elizabeth Noble‘.

“Because of unusual problems in amoena breeding very few varieties were produced until Paul Cook began to work on the problem. Mr. Cook tried an entirely different approach involving the use of a dwarf species. His methods were so successful that in 1962 his medium-blue amoena ‘Whole Cloth‘ won the Dykes Medal. It has already been superseded by his ‘Miss Indiana‘.”

From “Fragment 113” in Selected Poems by H. D. (Hilda Doolittle):

… ah, flower of purple iris,
flower of white,
or of the iris, withering the grass โ€”
for fleck of the sun’s fire,
gathers such heat and power,
that shadow-print is light,
cast through the petals
of the yellow iris-flower….


Hello!

This is the first of three posts with images of irises with white standards and colored falls from Oakland Cemetery that I photographed this year.

This new series includes two posts with irises like the top two below, and one post with irises like the bottom two. The color patterns may look similar at first glance, but the top pair shows the amoena classification — where the standards are white and the falls, specifically, have purple tones. The bottom pair shows the plicata pattern where the standards are white and the falls show “stippled, dotted, peppered, or stitched markings against a lighter color.” Select the first image and page through all four to get a closer look at the pattern differences.

Of plicata and amoena, plicata may be the more familiar term, as it’s derived from “plicate” — a word used in describing textiles, fabrics, or clothing whose designs include folds or pleats. Amoena, on the other hand, is excluded from many general dictionaries and its use is primarily botanical. It was once assigned to what was believed to be a specific iris species — Iris amoena — and documented as such in volume 6 of Pierre-Joseph Redoute’s Les Liliacees in the early 1800s. You can see Redoute’s drawing of this iris here. After Iris amoena was determined to be an Iris x germanica hybrid rather than a distinct species, amoena was repurposed for the color combination of irises where — as Redoute’s drawing and my photographs show — the standards were white and the falls were shades of deep purple (and, as a result of later breeding efforts, shades of blue).

I’ve always found the combination of white and purple blossoms soothing in some way, even more so against the rich green of their stems and leaves. The amoena designation fits these irises well for another reason: the term Locus amoenus (where “amoenus” is a Latin word from which “amoena” is derived) refers to an especially pleasant place, scene, or landscape. So in the case of these white and purple irises, we have the amoena color classification for a group of irises located in what could be called a Locus amoenus — as shown in the first three images in my galleries below — where a particularly well-manicured, carefully designed landscape serves the purpose of peaceful observation and quiet contemplation, and also serves as a home for the amoena irises.

Thanks for reading and taking a look!












Iris Purpleness (3 of 3)

From โ€œTall Bearded Color Groupingsโ€ in The World of Irises by The American Iris Society, edited by Bee Warburton and Melba Hamblen:

“The Sass brothers saved dark segregates from their blue and violet lines and began intercrossing them, introducing The Black Douglas in 1934. Meanwhile, Nicholls (1933) was working a line of darks. He used Valor, of his own raising, withThe Black Douglas to produce Black Valor. Valor, combined with a seedling involving Morning Splendor, Souv. de Madame Gaudichau, and Alcazar gave Mata Hari and Smolder, both dark purples, the latter with a reddish underglow. The cross of these two sibs gave Storm King, introduced in 1940.

Paul Cook crossed Blue Boy, an
I. aphylla derivative, with a white diploid. Crossing the resultant seedling into a line of purplish reds from the dark Cinnabar and bitoned Seminole, he continued to linebreed and was rewarded with Sable several generations later. Often referred to simply as ‘the black iris,’ this famous variety astounded the iris world when it was first marketed in 1938….

“The concentration (or dilution) of anthocyanin in flower parts has profound effects on color. Petal extracts from dark purple or black irises have far more pigment in them than do the paler blues. If the delphinidin in the tetraploid tall bearded irises is under monogenic control, and there is a dosage effect, we could expect four different concentrations and therefore four different hues of blue violet, but this is hard to prove because other pigments are usually present in varying amounts.

“The background effect is probably responsible for the so-called reds and browns in the tall bearded irises. In varieties showing this effect, the anthocyanin in the cell sap appears red or brown due to the presence of carotenoid yellows in the plastids.”

From “These Things I Like” by John C. Slemp in Sunshine and Shadows: An Anthology of Life in Prose and Poetry, compiled by Monta H. Crane and Selma Shepherd Downey:

I like the simple things of earth:
A daisy on the lawn,
A violet by the garden gate,
A breath of air at dawn.

I like the lovely things of earth:
A rainbow in the skies,
A row of purple irises,
A pair of shining eyes.

I like the solid things of earth:
A firm and rugged tree,
A mammoth boulder on the hill,
A mighty ship at sea.

I like the lasting things of earth:
A faith that conquers strife,
A love that brothers humankind,
A strong and worthy life.


Hello!

This is the third of three posts with images of purple-toned irises from Oakland Cemetery that I photographed this year. The first post is Iris Purpleness (1 of 3) and the second post is Iris Purpleness (2 of 3).

Returning to the four-part comparison I shared in the first post, the galleries in this post include the tall bearded iris shown at the bottom right…

… whose heavily saturated purple and blue tones often approach black, especially in barely opened and newly opened buds where you are seeing what will become the bottom of a flower petal. If we zoom into a section of that iris’s standards just above the beard, we can get a better sense of how dark the colors really are, and how even the more shadowed regions still reveal the presence of blue and purple tones at levels close to — but not quite at — pure black.

The excerpt from The World of Irises at the top of this post — while a bit technical — is from a section of that book that goes into great detail about color development in irises, from around 1910 through the middle of the twentieth century. The authors spend a lot of time on the development of darker iris colors — differentiating them from the more commonly observed yellows and lighter purples — where breeding efforts produced more and more saturated colors approaching, and sometimes achieving, what we would characterize as solid black. In the excerpt, I linked to pages at The Historic Iris Preservation Society about individual irises that contributed dark color patterns, and you can see many other historically significant variants in the article The Development of Black Tall-Bearded Irises from The American Iris Society

The intensity of the pigmentation these developments produced is very evident in irises like the ones I photographed for this post; but plants with living, color-producing cells seldom produce single, unblended colors. The “background effect” mentioned in The World of Irises refers to the subtle variations of red and other colors that our eyes often miss when viewing these irises from a distance, yet the camera captures them quite effectively. Red, reddish-brown, or colors close to yellow and orange get threaded through some of the iris cells by the presence of carotenoids among the purple-producing anthocyanin. The influence of these carotenoid-based colors among a field of dark blues, dark purples, and blacks connects these newer irises to their ancestors, where the more common yellow and blue or purple colors were enhanced to produce intensely saturated colors and striking new color combinations.

Thanks for taking a look!









Iris Purpleness (2 of 3)

From “Bearded Irises in Bed and Border” in Growing Irises by G. E. Cassidy:

“As a result of the dramatic developments in bearded irises… there is now available a fabulous range of flowers which must come as a revelation to those who still think of irises as ‘blue flags’….

“First as to colour — there are the irises of one colour, known as selfs, ranging from white to black through the rainbow with dark, light and pastel shades of each tint. Then there are the ‘amoenas’ with white or near-white standards and coloured falls, the ‘neglectas’ with light-blue standards and purple-toned falls, the ‘plicatas’ with light background overlaid with veining and stitching of a darker colour and the ‘variegatas’ with yellow standards and red-brown falls….

“Nowadays there are infinite variations of these basic themes with every sort of colour combination and with often brilliantly coloured and contrasting beards. In form and size, too, the bearded irises have changed almost beyond recognition and it is a far cry from the old drooping falls and floppy standards to the wide, flaring and ruffled falls and domed standards of the modern [tall bearded irises].

“Although suited to many applications in the garden, the bearded irises are seen at their dramatic and dazzling best when massed together in formal beds or borders. Here the range of colours can be seen to advantage, use can be made of variations in height to produce a graded effect and of the differences in flowering times to give a long flowering period….”

From “Purple Irises” in The Collected Poems by William Kean Seymour:

These purple flags in fancy seem to me
Delicate dames with their attendant squires โ€”
Green-garbed and slim โ€” who do their just desire:
Softly and well, and worship silently;
Or they are pools in a sun-smitten sea,
Deep hid in quietude of mirrored fires,
Decked with rich weeds and iridescent spires,
Shells and smooth stones and the anemone….


Hello!

This is the second of three posts with images of purple-toned irises from Oakland Cemetery that I photographed earlier this year. The first post is Iris Purpleness (1 of 3).

Of the four irises featured in the three-post series, this post includes these two…

… as a way of showing the difference between a single-colored self iris (on the left), and a bitone iris where the standards are a lighter version of the same colors in the falls. This bitone also produces a very large flower, something evident from the fact that I took the two photos above from approximately the same distance and focal length.

The bitone’s translucent standards let light pass through, which results in colors shifting between blue and violet depending on how much sun was present when I snapped the photos, as well as what direction the light was coming from. While it’s possible to color-correct them in Lightroom so that the standards colors match in all the final photos, it’s more accurate to try and respect the lighting conditions. One editing trick I use here is to adjust white balance so that the surrounding green leaves — rather than the flower — are rendered as consistently as possible across all the photos. Since white balance adjustments affect the whole photo, this lets the purple colors fall naturally into the ranges that would have been present at the time, regardless of how lighting conditions varied. Green on opaque leaves like these is a color we intuitively recognize as accurate or inaccurate, so it can be used as a visual anchor for correcting white balance and ensuring that the color relationships throughout the image are accurate.

From my observations, the bitone iris produces plants whose height is about the same for each stem, and it would probably be classified as a medium or intermediate bearded iris. The self iris, on the other hand, produces stems of varying heights — as the photos illustrate — often in clusters where some short stems surround one or two taller ones, as in this photo where it’s earning its designation as a tall bearded iris.

Its flowers — even the shorter ones — exceed the height of nearly all its leaves, a convenience for any photographer who wants to focus on the flowers and leave out the leaves. Such heights also make this iris suitable for use as shown in my photos: positioned against a stone wall and in front of shrubs to create horizontal and vertical visual interest with colors and shapes that both complement and contrast with the landscaped surroundings.

Thanks for reading and taking a look!