Quotes from My Library: Transitions

This is the third post in a series I started earlier this year, featuring quotations from books in my library.

The section below includes quotations about making life transitions — movement from any one life stage to another or to several others — as discussed in Working Identity: Unconventional Strategies for Reinventing Your Career by Herminia Ibarra. For me, the strength of Ibarra’s book lies not as much in its career advice as in its focus on the psychological aspects of making any transition or life change. Ibarra elaborates on how transitions occur in terms of practical experience, and how this experience will feel over time — as an exploration of “possible selves” even in the absence of an explicitly identified end result. For Ibarra, planning and introspection must take a back seat to experimentation and reframing our stories as we move toward newly defined identities.

Ibarra rounds out the book with comprehensive practical advice, and the cumulative effect of the book is to create a safer and more comfortable personal space for engaging with and working through any life transition. Highly recommended: Ibarra’s writing repays study of its substantial and unique ideas that have value well beyond what can be represented in a few quotations.


From Working Identity: Unconventional Strategies for Reinventing Your Career by Herminia Ibarra:

“Many of us feel a tug between well-paid, challenging, or stable jobs and the vocations we have practiced on the side, in some cases for the whole of our professional lives. Becoming a musician, a writer, an artist, a photographer, or a fashion designer at midcareer entails big personal sacrifices and typically dumbfounds the people around us, who fail to see why we don’t simply keep our passions safely on the side.”

“Since we are many selves, changing is not a process of swapping one identity for another but rather a transition process in which we reconfigure the full set of possibilities.”

“To launch ourselves anew, we need to get out of our heads. We need to act.”

“We learn who we are — in practice, not in theory — by testing reality, not by looking inside. We discover the true possibilities by doing — trying out new activities, reaching out to new groups, finding new role models, and reworking our story as we tell it to those around us.”

“During the between-identities period, we feel torn in many different directions. Although there are many moments of reflection, this is not a quiet period: A multitude of selves — old and new, desired and dreaded — are coming to the surface, noisily coexisting.”

“[No] matter where we start, our ideas for change change along the way, as we change. Where we end up often surprises us. For these reasons, as much as we would like to, we simply cannot plan and program our way into our reinvention.”

“How do we create and test possible selves? We bring them to life by doing new things, making new connections, and retelling our stories. These reinvention practices ground us in direct experience, preventing the change process from remaining too abstract. New competencies and points of view take shape as we act and, as those around us react, help us narrow the gap between the imagined possible selves that exist only in our minds and the ‘real’ alternatives that can be known only in the doing.”

“Old possible selves are always more vivid than the new: They are attached to familiar routines, to people we trust, to well-rehearsed stories. The selves that have existed only in our minds as fantasies or that are grounded only in fleeting encounters with people who captured our imagination are much fuzzier, fragile, unformed…. Whether it takes months or years, living [these] contradictions is one of the toughest tasks of transition.”

“Change takes time because we usually have to cycle through identifying and testing possibilities a few times, asking better questions with each round of tests, crafting better experiments, and building on what we have learned before…. Which self we test hardly matters; small steps like embarking on a new project or going to a night course can ignite a process that changes everything….”

“Self-creation is a lifelong journey. Only by our actions do we learn who we want to become, how best to travel, and what else will need to change to ease the way.”

“We don’t find ourselves in a blinding flash of insight, and neither do we change overnight. We learn by doing, and each new experience is part answer and part question.”

“Once you head down the path of discovery, there is no going back.”


Before and After: Flickr Reboot Edition

I have about 1200 photos on Flickr, distributed in 32 albums, that have been on the site for between five and ten years. Given all the things I’ve been learning about Lightroom, workflows, and the Nik Collection over the past few months, I look at them and … and, what? It’s not that I don’t like them now (although that’s true in some cases) and I’m not overly concerned about flaws – technical or otherwise – in the photos, but I see them differently because I feel like they could be so much better. I’ve had this idea stuck in my head over the past few days that I might like to pull them all down, re-process each one, and either replace them on Flickr or put them somewhere else. I no longer have any of the original adjustments I made, but do have all the images, so would be “starting from scratch” with each one.

When I learned about the photography site SmugMug buying Flickr earlier this year, I had no idea what SmugMug was, other than that I had heard of it occasionally but hadn’t looked into it. That acquisition got my attention, so I learned a little more about SmugMug and attended several webinars a few months ago, tutorials about how to set up a site on SmugMug, customize it, and showcase photography. Like Flickr, SmugMug features photographers at all levels of experience, and though I don’t yet have an account, I’ve explored it enough to feel like it’s similar to Flickr from a customer profile perspective, in terms of photo-sharing and engagement, and in terms of content, with a wide variety of advanced capabilities you can use in the future. There were two things I learned that I liked a lot: the way you can organize photos and treat them as public or private galleries; and the ability to create and customize your own site by building it largely from drag-and-drop content blocks (conceptually similar to the WordPress Gutenberg editor that will become available later this year). It’s fair to say that those webinars influenced me to think about my older work on Flickr and what, if anything, I might want to do with it.

In my former life as an IT Business Analyst, I was often involved in working with teams to define new projects, estimate effort, and develop timelines, so I tend to think of activities like this in project management terms. If I play around with the Flickr reboot idea from that point of view, it looks something like this:

  • Starting with 1200 photos to rework, my first assumption is that I’ll apply the 80/20 rule and eliminate 20% of the images for one reason or another, most likely for insufficient detail, composition I don’t like, or lack of focus that can’t be corrected. So I’ll end out with 960 photos to rework rather than 1200.
  • I estimate I’ll spend less than an hour on each one, with some taking just a few minutes and some taking longer because I decide to do something more creative with certain ones. So I’ll estimate 30 minutes per photo, or 480 hours to get through them all.
  • There’s overhead to consider, mostly around finding the photos in Lightroom, setting up collections or sets to keep the work organized, and figuring out the best way to store them before uploading. I’ll add 10% for overhead to the 480 hours, which gets me to 528 hours.
  • Since I haven’t decided whether to put them back on Flickr or do something else, let’s add another 10% for uploading somewhere, so now we’re at 580 hours. Because I’m not sure if 50-60 hours is enough time to upload 960 photos, I’ll include some buffer at the end for this variable.
  • I’ll add another 10% for things I’ll need to learn along the way – including the probability that I would move the photos to SmugMug and have to learn how to set up a site – and a little bit of buffer, so now we’re at 638 hours. Round numbers are nice, so let’s go with 640 hours.
  • Ah, well, now we’ve got ourselves a 640-hour project. If I spent the equivalent of five “workdays” – 40 hours a week – on this, it would take four months from start-to-finish. But that’s not realistic, mostly because I wouldn’t want to do it. Let’s say instead that I’ll spend no more than two days a week, or 16 hours, which makes the duration 40 weeks, or 10 months … meaning that if I started now, I wouldn’t finish until sometime in the middle of 2019. Yikes!

    The value of doing this – at least, the way I think about it – is the learning experience itself: committing to re-processing nearly a thousand photos with content that I’m familiar with that has personal meaning to me surely will help me grow my skills. I would also likely tell a few blog-post stories about them along the way – especially about those I took when I was working on getting my history degree – and would want to write about what I learn as the work progresses.

    There is no real downside, other than the time it would take that couldn’t be used for something else – like taking new photos! One thing I needed to consider was whether or not I’d find that the results were worth the time I invested, so I’ve experimented with ten of the photos that are on Flickr now to see what I might come up with. The experiment results are shown below – before and after versions of the ten I selected. The only thing I did to both the before and after versions was apply the same cropping so they’re easier to compare. I don’t necessarily think the after versions are final, but I was really surprised to see what a big difference I could make with a few adjustments to each photo.

    Thanks for reading and taking a look … and Stay Tuned!