"Pay attention to the world." -- Susan Sontag

“Snail on the Run!”

Have you ever spent two hours on a Saturday afternoon chasing a snail around your back yard?

I thought not….

Well … I have. A few weekends ago I splurged on a new lens for my Sony A100 camera …


… and as I was crawling around my back yard trying to figure out how to use it properly, I spotted this tiny creature resting on a dried up leaf….


It started to move …


… and you’d be surprised how fast a snail seems to travel at this magnification.

The focus on these shots is not great, and I’ve learned a lot more about using the lens since that first day, but I got a big kick out of how close I could get to something that was smaller than a small shirt button and still capture very good detail.


The poor thing must have been camera shy, something I can certainly relate to, so I was careful not to use any flash but it tried to race off the leaf anyway …


… yet the only way out of sight was through a whole in the leaf …


… where it got stuck …

… so I set the camera aside, split the leaf to release it’s head, and off it went, disappearing into the forest…. I mean, uh, pine bark.

The lens is fantastic, definitely the best purchase I’ve made for the camera. I’ve gotten a lot better at predicting how it will react to light and focus at these close distances, so you can expect a huge quantity of photos of very small things — especially buds and bugs — to start appearing here and on my Flickr account pretty soon. I’ve also got a massive set of closeup shots from the Atlanta Botanical Gardens, taken over several weekends, that impress even me — and that’s pretty hard to do….

From our friends over at YouTube, here’s Paul McCartney and Wings singing that classic, “Snail on the Run.” (It may sound like they’re saying “Band” — but they’re not.) Is the song stuck in your head yet?

Oakland Cemetery Tornado Damage Update

The Historic Oakland Foundation now has a page up on their web site describing some of the damage to the property with a few photographs from the grounds, here:

Historic Oakland Cemetery Badly Damaged

As they state and as I discovered on Saturday, the property is currently closed for the reasons described in the article.

If you’ve enjoyed my writing and photography on this site and have ever thought about supporting it, please consider making a financial contribution to Oakland’s rebuilding efforts instead. The address for donations (also listed at the end of their article) is:

Historic Oakland Foundation
248 Oakland Avenue SE
Atlanta, GA 30312

Here are a couple of photographs I took back in November, 2007, while researching the Cemetery’s history, showing the Fickett monument:

Here’s that same monument now (photograph from the Foundation’s article):

If you’ve been following my series of articles on the Cemetery or have looked at any of my Flickr pictures of the property, you know I consider it a treasured historical and community resource unlike anything I had ever seen until I started learning about it. If you’re able to make even a small donation to helping the Cemetery’s reconstruction efforts, you’ll be honoring the memories of those who are buried there and you’ll also be recognizing the critical significance of Atlanta’s few remaining truly historical sites. Give Oakland a bit of help and I guarantee you that the next time you consider the meaning of some place of history or community that matters to you, you’ll look at it with a greater awareness and understanding of what these places really mean to our lives, our neighborhoods, and our place in this world.

I’ll be resuming my articles on the Cemetery and the neighborhood’s history within a few days….

Exploring Place: Oakland Cemetery, Part Three – Atlanta Tornado!

Nearly every evening last week, I worked on what was to be the third article in my series on Atlanta’s Oakland Cemetery, based on the Exploring Place: History class that I took in 2007. (The previous article in this series is here, and all my articles on Oakland are here.) This middle segment of the class was the most substantial, because in it I extended my Oakland research into the surrounding neighborhood streets, exploring history as it played out on Decatur Street, Boulevard, Memorial Drive, and Martin Luther King Drive. The old Fulton Bag and Cotton Mills and the Cabbagetown district were part of that research, and I had started writing about them in that article.

The article remains unfinished. Little did I know that Atlanta would get hit by one of the few tornados this region has ever seen, on the evening of Friday, March 14, and that the tornado’s path would take it through the very areas I was writing about. The map below was supposed to be part of the original article, as a way of orienting the geography of the article in the same way it helped me organize my research.

View Larger Map

If you look to the right of Oakland Cemetery on the map above, you’ll see a section bordered by Boulevard, Decatur Street, and Memorial Drive (highway 154). This is the area in my neighborhood that sustained the most damage; this is where the Cabbagetown district is located, and the Fulton Bag and Cotton Mill property is in the space where Boulevard and Decatur Street intersect, just above Carroll Street SE on this map. My home is less than a mile from this spot … and yes, an incoming tornado really does sound like a freight train. I hope I never hear that sound again.

I had the bright idea yesterday morning of heading over to Oakland Cemetery to take a few pictures of the damage to the Cotton Mill building. Hard to believe that it never occurred to me that the Cemetery itself might have sustained some damage, and I imagined just walking onto the property up to the northeast corner that I was so familiar with, and zooming in on the mill buildings.

Until I got there, that is, and saw this:

These trees had been knocked down just inside the entrance gate (at the intersection of Oakland Avenue and Martin Luther King Jr. Drive, just above the “e” in “Memorial” on the map). A security guard was keeping people out … well, everyone except this dude with a camera who failed to come tell me how to sneak onto the property.

In any case, I wandered up and down Memorial Drive and Oakland Avenue, taking pictures over the brick wall that surrounds Cemetery. This shot is one of several I took of the Confederate Memorial, looking so strange with the trees that used to surround it now down on the ground.

Not far from the Memorial lies the Confederate section of the Cemetery, where several of the giant trees are either uprooted or shattered near the base of their trunks:

Some areas are just a chaos of twisted branches; it’s hard to even remember or describe how these spots, for example, looked before Friday evening:

The rest of the pictures I took of the damage to the Cemetery are in a Flickr set that I added this morning:

Oakland Cemetery Tornado Damage

I didn’t venture into the Cabbagetown neighborhood (I don’t know if I would have been able to anyway), and even though I walked Decatur Street to the north of the cemetery, I decided not to take any pictures of the private businesses or private homes that sustained damage. There is plenty of coverage of that; you can take a look at the Atlanta tornado article on Wikipedia for list of local news sources.

Damage from the tornados and from a series of powerful storms that repeatedly swept across Georgia Friday and throughout the day Saturday is expected to be in the hundreds of millions of dollars, with many people suffering tremendous damage to or total losses of their homes and businesses. The American Red Cross has, as always, a highly visible presence providing folks with assistance throughout the state; if you want to help, consider making a donation here.

Exploring Place: Oakland Cemetery, Part Two

[The following is a slightly modified version of the opening section of one of the research papers I wrote on Atlanta’s Oakland Cemetery for the Exploring Place: History class that I took in 2007. The previous article in this series is here, and all my articles on Oakland are here.]

On the early evening of October 31, 2007, I sat on the ground among the graves of the Confederate soldiers in Atlanta’s Oakland Cemetery, watching the late day sunlight change the headstone colors from white and gray to a soft, faded orange. Row after row of these headstones – many with names engraved on them, many without – stretched up the hill in front of me, and out in all directions among the trees and throughout the grass surrounding me. Off to the northwest side of the cemetery, beyond where I could see, a freight train coupled an engine to its cars and the air around me cracked as the train sections connected. The earth rumbled for several seconds – I could feel it and hear it – and then fell silent. A sharp, cold breeze struck the back of my neck as a handful of brittle magnolia leaves dropped from a tree nearby, drifting to the ground around one of the headstones without making a sound.

I had my camera with me, of course, since it seemed I couldn’t visit Oakland without taking my camera and have over a thousand pictures chronicling the time I’ve spent there. It took me a second to realize that I had started to take a picture and was holding the camera suspended in mid-air, halfway to my face when the explosive thunder from the train stopped me. I was holding my breath, and in those few seconds suddenly wondering about the meaning of this place where I sat on the ground, frozen stiff in the act of composing a photograph, staring at the Confederate gravestones.

I took a first shot, a wide shot of the field in front of me, showing countless stones glowing or submerged in long shadows, the inscriptions and the names and dates barely visible…

I zoomed in and took a second shot, and the words “Confederate States Army” started to show on many of the gravestones….

On the third shot, the names of men who died for the South in the Civil War could be clearly seen, yet there were dozens and dozens of them – too many to remember, too many for my mind to comprehend….

I took my fourth and final shot, a very close zoom, focusing on a single headstone near the trunk of the magnolia tree, where I saw just one inscription:

“T. Roberts, 23rd Alabama Infantry, Company I, Confederate States Army.”

I have no idea who T. Roberts was and will probably never know. I couldn’t even find out what the “T” stands for. He was not a prominent southern general whose importance will get his name mentioned on the Oakland Cemetery tours, or in the books written about Oakland or Atlanta or Georgia or the Civil War.

He was, however, one man, a single and irreplaceable individual, a person who once had a life that he lost during a war, whose name would not even be known to me but for the fact that he had lost it during that war. Yet for those few minutes on that Halloween evening, and for the time I spent wondering about who he might have been, or what he might have looked like, or what unbearable injuries he might have suffered before he died … we were connected across time and space, at a quickly shifting point where our lives – rather, his death and my life – intersected. And that, I realized, was the meaning and significance of this complex and amazing historical place.

In the first parts of my research into Oakland, I puzzled a little over the difference between a place like Oakland as an active element of a region’s history — that is, a place where historical events actually occurred — and as a more passive one because of its nature as a cemetery. As I continued my research, I became much less concerned with the difference between the two, having discovered that the difference didn’t matter that much. All historical places function in both ways: Oakland, in that sense, is no different than, say, the Georgia State Capitol, or a Civil War battlefield, or a historically significant factory like the Fulton Bag and Cotton Mills — so the distinction I was trying to make between active and passive places became irrelevant. That Oakland’s configured as a place where people are buried and memorialized is simply a characteristic of the location itself, and isn’t nearly as important to studying its history as it might seem.

With that in mind, my research began to take a different approach to examining the cemetery and its history in more detail. Rather than attempting to localize events to the cemetery grounds themselves, I started using the cemetery as a focal point for some of the history of the surrounding area, including the neighborhoods and streets that geographically intersect with Oakland. While that seemed at first to point me toward coincidental renderings of historical circumstances and events, it soon became apparent that what it did instead was highlight Oakland’s history within the context of Atlanta’s history. It also enabled an exploration of the relationship between the cemetery and the city from several different perspectives – such as social structures, segregation, architectural symbolism, southern Victorian mores, and the political and economic histories of the area. With that as background, I began to explore Oakland as a historical focal point for the history of the community where I live, which I’ll discuss in more detail in my next article.

New Photos! from Zoo Atlanta (and a bit of zoo history)

For the past several weekends, I’ve spent my Saturday or Sunday afternoons at Zoo Atlanta, which is located a few blocks from my home in Grant Park. As usual, I took a large number of photographs, ending out with nearly a thousand that I culled to a few hundred then uploaded some of my favorites to Flickr.

I learned a little about the history of the zoo while working on my Oakland Cemetery research, and discovered that Zoo Atlanta was one of many American zoos founded during the American Victorian era.  Following the Europeans — for whom, as A. N. Wilson describes in The Victorians, zoos were a cultural and scientific fascination — Americans also located their zoos in or near Victorian garden parks that became so prevalent in the late 1800’s and early 1900’s.

According to Franklin M. Garrett’s Atlanta And Environs: A Chronicle of it’s People and Events, Zoo Atlanta came to be after an Atlanta lumberman, George Gress, purchased some animals at auction from a defunct circus in 1889. Gress offered the animals to the city of Atlanta, a “costly collection of wild animals” consisting of “one hyena, two African lionesses, two silver lions, one black bear, two wildcats, one jaguar, one gazelle, one coon, one elk, one Mexican hog, two deer, one camel, one dromedary, two monkeys, [and] two serpents.”

Garrett describes the early decades of the zoo as “not particularly distinguished” until 1935 — when Asa G. Candler, Jr. “made a tender to the city of his valuable private collection … of wild animals and birds which he housed in specially built cages and quarters on his Briarcliff Road estate.”  Zoo Atlanta’s history page describes this incident also, and both Garrett and the Zoo explain how the Candler’s donation resolved the imaginable (or unimaginable!) problem of neighborhood complaints about the noise and smells from the philanthropist’s collection, as well as the dilemma of the occasional escaping baboon. The transfer of nearly 100 birds and 84 other animals from Candler’s estate to Grant Park nearly doubled the size of the zoo, ushering in one of it’s periods of great popularity as a city attraction.

This early history — especially the connection between the birth of Zoo Atlanta and the American Victorian period — is certainly one of the reasons why I think it would have been an tragedy if the zoo had been relocated out of Grant Park, something that was being considered in 2007. A great part of the significance of Zoo Atlanta is its history, and what we would certainly consider today as an unusual physical space: the presence of a sizeable zoo in the middle of a city, surrounded by a massive park, next to the Atlanta Cyclorama, and nestled among the Victorian homes of the Grant Park neighborhood. While I’m sure the relocated zoo would have ultimately been spectacular, it could never have been like Zoo Atlanta, and the connection between the place and its history would have been forever lost. We should not be so willing to dissolve the bonds between the physical spaces we treasure, and the community and its history.

Now, to a few of the pictures….

The adult gorillas always strike me as so serious and intelligent looking. I swear, if the look in my eyes is ever as thoughtful as this gorilla, I’d be impressed with myself. This is my favorite shot of the gorilla; click the picture (and any of the pictures below) for a larger view.

The orangutans, on the other hand, alternate constantly among so many different expressions. I’m convinced that this one must have just pulled a prank on one of the others, and as you watch them play and interact with each other, you can’t help but notice the obvious relationships among them, and those relationships are seldom subtle and almost never deferential. The rest of the gorilla and orangutan pictures that I took on my three outings are here.

This was the first time in my recent frequent trips to the zoo that I’d seen the giraffes. I loved taking their pictures. I felt fortunate to get this shot, with this sort of composition, that I like to call “three-headed giraffe.” It’s three separate giraffes (of course!) but the flattening effect of the photo does make you look twice, doesn’t it? The other giraffe pictures are here.

It was a lazy day for the lemurs; it’s actually a little tough to get a shot like this, since they’re usually either tucked away in some corner of their space, or racing up and down the tree trunks and branches, or out of site in the lower sections of the exhibit.

I watched this pair of sleeping lemurs for a long time … half an hour or more maybe … and snapped several shots like this. What a great way to take a nap!

Meerkats are relatively new to the zoo, and they’re very photogenic. Well, that’s probably not that important — to the meerkats anyway — but they are fascinating to watch; and like the otters and lemurs, they’re constantly busy (at least when they’re not sleeping) and as you watch for a while, you can’t help but begin to notice how they relate to and interact with each other. The rest of the otter and meerkat pictures are here.

I don’t know what kind of birds these are (I call them toucans, yet I doubt that’s what they are), but the iridescent dark blue is amazing. My pictures from the outdoor aviary, along with some pictures of flamingos, are here.

Does this remind you of anyone? I hope not!

A better view, here:

The rest of the elephant pictures, with a few of some color-coordinated rhinos, are here.

No zoo would be complete without a goodly bunch of animals that make lots of people squirm, and Zoo Atlanta’s reptile house is no exception. This is one of my favorite shots, in terms of color, intensity, and overall squirminess. The rest of the reptile shots are here.

My recent extended visits have given me a new appreciation of the zoo, and have increased my curiosity about the history of zoos and their cultural significance. Here are links to two books on zoos and their history, and one on our relationship with animals and nature, about to become part of my library:

Zoo: A History of Zoological Gardens in the West by Eric Baratay and Elisabeth Hardouin-Fugier

Animal Attractions: Nature on Display in American Zoos by Elizabeth Hanson

Uncommon Ground: Rethinking the Human Place in Nature, edited by William Cronon

More on the books when I read them. Thanks for stopping by; I hope you enjoyed this article and my photos from the Zoo!

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