"Pay attention to the world." -- Susan Sontag
 

Midwinter Mums (2 of 6)

From “Sentiments at Autumn: Eleven Poems” by Han Yu in Sunflower Splendor: Three Thousand Years of Chinese Poetry, edited by Wu-Chi Liu and Irving Yucheng Lo:

Chrysanthemum fresh in the frost
what use your beauty so late?
Butterfly cheerful in the fragrance,
your life neither comes too early,
at cycle’s end you both meet
your youth and grace intact till death

Western wind, snakes and dragons hibernate,
all the trees with days’ advance fade and dry
Such are the parts destined by fate….

From “Chrysanthemums” in The Story of Flowers and How They Changed the Way We Live by Noel Kingsbury:

“Chrysanthemum fashions have come and gone for thousands of years. The flower has been cultivated in China for more than 3,000 years, referred to in early records usually as yellow, the colour of certain wild species. They stood out because they bloomed in autumn, after the heat of the summer, and this is one reason for their popularity ever since….

“By the time of the Qin dynasty (221–207 BC) in China there were almost certainly several varieties, since there was a grand market for chrysanthemum sales in the capital, while poets in succeeding dynasties wrote often in its praise. Doubles, a range of colours and multi-hued flowers appeared during the Song dynasty (AD 960–1279), with 400 varieties by 1458, when the first book on the flower was published.

“In Japan, the chrysanthemum took off as a national symbol in the early thirteenth century when Emperor Go-Toba started using one as his personal symbol; other emperors followed, and late in the century it became the royal family’s official symbol. During the Edo period many new varieties were produced and new growing techniques developed, often involving detailed pruning and tying to elaborate frames to shape the plants into pyramids, miniature trees or cascades, or encourage one huge, perfect flower. The latter technique was taken up widely after the plant was introduced to the West in the 1830s.”

From “Chrysanthemums” in Shoes of the Wind: A Book of Poems  by Hilda Conkling:

Dusky red chrysanthemums out of Japan,
With silver-backed petals like armor,
Tell me what you think sometimes?
You have fiery pink in you too…
You all mean loveliness:
You say a word
Of joy.
You come from gardens unknown
Where the sun rises…
You bow your heads to merry little breezes
That run by like fairies of happiness;
You love the wind and woody vines
That outline the forest…
You love brooks and clouds…
Your thoughts are better than my thoughts
When the moon is getting high!


Hello!

This is the second of six posts (that’s a lot!) featuring several varieties of mums from Oakland Cemetery’s gardens. The first post is Midwinter Mums (1 of 6).

Here we have red, red, red ones — blooms from several garden locations that exhibited mostly pure red rather than the red/pink/magenta I described in the previous post. It may be noteworthy that when magenta is absent, the flower petals take on a barely perceptible orange hue when lit by the sun.

Thanks for taking a look!








Midwinter Mums (1 of 6)

From “Chrysanthemum (Asteraceae)” in Garden Flora: The Natural and Cultural History of the Plants In Your Garden by Noel Kingsbury:

“One of the world’s most successful commercial flowers, there seems justice in the plant’s name being derived from the Greek for ‘golden flower.’ Once larger, Chrysanthemum is now a much-reduced genus, with around 30 familiar herbaceous or subshrubby species recognised from eastern Europe across to the Far East. Polyploidy and hybridisation are common, so the origin and classification of this and related genera is still in flux….

“Chrysanthemum species are generally long-lived and often clump-forming. Some have persistent semi-woody growth, but others tend to die out in patches. Generally they are from woodland edge habitats, although several are common along seashores in Japan. Species are found in a number of climate zones, with many of those which have contributed to the cultivated gene pool from the Far Eastern humid subtropical zone….

“The Japanese emperor Gotoba (1183–1198) particularly liked the flower and started using a chrysanthemum graphic as his own personal symbol. Other emperors followed suit, and in the late 13th century it became the official royal family symbol. Today, in English-speaking countries, the Japanese ruling institution is sometimes referred to as the Chrysanthemum Throne. In the East, chrysanthemums have tended to be symbolic of long life, which is perhaps another reason for the popularity of chrysanthemum tea; in the West, however, they became a funeral flower during the course of the 19th century and so were frequently, superstitiously excluded from the home, even being seen as a curse in Italy.”

From “The Chrysanthemum” by William Carlos Williams in The Collected Poems of William Carlos Williams, (Vol. II), edited by Christopher MacGowan: 

how shall we tell
the bright petals
from the sun in the
sky concentrically

crowding the branch
save that it yields
in its modesty
to that splendor?


Hello!

Toward the end of November through mid-December of 2023, I encountered some fabulous batches of many-colored mums at Oakland Cemetery’s gardens — but then got wrapped up in my Christmas project and am just getting to those photos now. I suppose technically these are “autumn mums” — but you know I like my alliterations, so I went with “Midwinter Mums” as the post title for this series.

For the first photos in this series, I selected those that had an unusual combination of colors. These mums at first glance appear red — as red is the most dominant color — yet among the red blooms there are quite a few, even from the same multi-bloom stem, that exhibited a distinct color variation that included magenta or pink. On some individual blooms, half the petals were red and half were red and magenta, or magenta appeared toward the center then gradually radiated to red. At first I just thought is was a trick of the light (you know how tricky light can be) and started shifting the magenta toward red in Lightroom — but then set them all back to keep the color variations intact. The first two photos below show how large this group of mums was; and you can see in those photos how magenta appears randomly throughout the cluster.

Thanks for taking a look!