"Pay attention to the world." -- Susan Sontag
 

Winter Color at January’s End (1 of 2)

From “Nature” in The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“The inhabitants of cities suppose that the country landscape is pleasant only half the year. I please myself with the graces of the winter scenery, and believe that we are as much touched by it as by the genial influences of summer….

“To the attentive eye, each moment of the year has its own beauty, and in the same field, it beholds, every hour, a picture which was never seen before and which shall never be seen again. The heavens change every moment, and reflect their glory or gloom on the plains beneath.”

From “Wild Peaches” by Elinor Wylie in Three Centuries of American Poetry edited by Allen Mandelbaum and Robert D. Richardson:

“The spring begins before the winter’s over.”


As we approach the end of January, I’ve posted a few photos taken during the unseasonably warm first half of the month (the unseasonable warmness didn’t last), where I found surprising bits of color among the more muted tones of winter.

The mahonia (in the second gallery below) was a striking mix of winter and spring, with yellow flower clusters growing among green leaves, surrounded by other leaves that apparently felt the cold more and had turned deep purple. I also found a rare pair of yellow daffodils, looking a little tentative but nevertheless quite adorable in their willingness to sneak out of the ground this time of year. And the two roses — southern roses are pretty resilient — seemed unaware that a cold snap was on the way, even though their stems were mottled and faded as they tend to get when the nights are cool. I guess they might have been thinking that winter was just an illusion….

Thanks for taking a look!







Winter Wisps (and a Bird at Liftoff)

From “The Journal of Henry David Thoreau” in The Complete Works of Henry David Thoreau by Henry David Thoreau:

“[Dec. 26, 1855] After snow, rain, and hail yesterday and last night, we have this morning quite a glaze, there being at last an inch or two of crusted snow on the ground, the most we have had. The sun comes out at 9 A. M. and lights up the ice-incrusted trees, but it is pretty warm and the ice rapidly melts. I go to Walden via the almshouse and up the railroad….

“Trees seen in the west against the dark cloud, the sun shining on them, are perfectly white as frostwork, and their outlines very perfectly and distinctly revealed, great wisps that they are and ghosts of trees, with recurved twigs….”

From The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“[The] Will-of-the-wisp vanishes if you go too near, vanishes if you go too far, and only blazes at one angle.”


Continuing with some additional studies of winter shapes (see also Winter Shapes: Hydrangeas and Japanese Maple Leaves and Winter Shapes: Hydrangeas and Japanese Maple Leaves in Black and White), here is a random collection of tiny leaves, stems, and vines — followed by a set of five images of goldenrod rendered on black, followed at the end by lucky shots of resting bird that spread its wings and took off just as I pressed the camera’s shutter.

Thanks for taking a look!







Winter Shapes: Hydrangeas and Japanese Maple Leaves in Black and White

From “Structure” and “Tonal Nuance” in Black & White Photography by Michael Freeman:

“Image possibilities that contain a strong potential for structure notably include elements of line and shape, almost always heightened by some form of contrast….

“Black and white enhances these possibilities by taking away the distraction of colour, forcing more attention on the contrast across edges….

“Physiologically, our visual system responds more sensitively to some hues than to others, which is why yellows and yellow-greens are brighter to our eyes. But more than this, there is our psychological response to different hues. One simple example of this is that ‘hot’ colours around orange are readily associated with flame and burning, and also the production of light. Most people feel these to be inherently brighter than, say, blues, which we tend to associate with water, coolness, and dim light.

“Take this away, and the tonal scale simplifies dramatically. What this allows is a clearer, purer concentration on the subtleties of transition between shades of gray.”


Hello! A few days ago I posted a some photos of hibernating hydrangea and Japanese maple leaves; here are the same photos, rendered in black and white, and modified with various filters in the Nik Collection to create additional contrast and detail, add a bit of glowing softness, and shift the black-and-white tones to a touch of silver-blue.

At the end of this post, there is a before-and-after gallery, if you would like to compare the color and black-and-white versions.

Thanks for taking a look!







Here are the before-and-after images; select the first one to compare versions in a slideshow.