December is here! To celebrate, I assembled two galleries of some of my favorite photographs of Christmas decorations.
The second gallery below contains photos of the decorations around my house.
The first gallery contains photos I took at the home of some friends, who have more Holiday Whatnots than most Christmas stores.
I’m working on some new photos that I’ll be posting throughout the month; these are photos from my archives — reimagined for my Flickr Reboot project. Like the decorations, the photos have held up well and benefitted greatly from a bit of time spent enhancing their content, lights, and colors.
Select any image to begin a slideshow; thanks for taking a look!
“Photographs led me to cameras, and over the years the camera became an object I could think with. I could think about light and shadow, about composing the frame, and about what it meant to live in a certain way, to make decisions at many levels, and to document the world.” — from the essay “Salvaged Photographs” by Glorianna Davenport in Evocative Objects: Things We Think With, edited by Sherry Turkle
One of the reasons I’ve always liked photography – and why I’m often drawn to closeup or macro photography – is that viewing the world through a camera creates an opportunity to focus on sights that might otherwise remain unseen. Looking through the camera restricts my view to what fits within the frame, letting distractions fall away, and that remains true if I zoom in or out, or pan horizontally or vertically: what I see through the lens becomes what I choose to see at that moment, and most of what’s outside the frame slides from awareness as I make those choices. I might add to or subtract from that view by manipulating the camera or the lens; but when I take the photo, I’ve selected something that’s captured my interest, or struck me as aesthetically pleasing, or has frozen an instant of time that seems to matter subjectively.
After taking the shots, what I do with them now includes a set of additional (and for me, recently learned) choices that give me the chance to further refine the images toward this deceptively simple idea: this is what I saw and this is what I want to show you.
I assembled the gallery of images below from those I’ve been working on for my Flickr Reboot project; they were all taken at Point Au Roche Interpretive Center or near the city of Plattsburgh in northern New York. While I’ve been posting quite a few similar images (see Autumn Close Up: A Photo Gallery), I set these aside for a couple of reasons. First, as I was reviewing my archived photos, I had flagged every one of these (and quite a few others) to be deleted. Second, I didn’t actually delete any of them and decided to take another look once I got more experience with the tools I was learning, to see what I might do with them even though I originally thought they should be deleted. Other than being on the chopping block for a while, these images had something else in common: they were all hidden bits of autumn, subjects tucked away behind tree trunks, barely visible among shrubs, or nearly buried under fallen logs. Because they were all so hidden – and it was an overcast day as well – the exposures were pretty poor and most of the original images were very dark. I remember crawling on the ground at times to get some of these shots and was disappointed that they ended out being so badly exposed, but I kept them anyway from some vague notion that one day I would figure out what, if anything, to do with them.
With the help of new skills, I wanted to find out if I could recover each of these well enough to create an acceptable image, and simultaneously learn more about how to think about image post-processing. It can be quite a challenge to convey the thought process involved in work like this – words fail and the images help resolve the ambiguity – yet here are a few things, technically and otherwise, that I think I’ve learned:
The first gallery below includes my final versions of these seventeen images. The second gallery shows the before and after versions of each one, where hopefully you can see by comparison how I’ve used some of the ideas described above.
More soon; thanks for reading and taking a look!
The gallery below contains the last of four sets of photos I took at Grant Park in Atlanta, on Sunday, November 11. Among these photos you will also find the rare Yellow Ribbon leaf, which I was surprised to find hidden within the foliage in the park.
The previous sets in this series are here:
What’s next? Well, it’s that time of year when I brave the sixty degree temperatures, head into the woods with an axe and my trusty hound, and chop us down a Christmas tree (read: pull the tree out of the closet and reshape all the branches (not as easy as it sounds (takes half a damn day!))) to begin the holiday decorating frenzy. So you can soon expect a virtually endless (!!) number of photos of decorating in progress, including dust clouds of glitter, piles of flashy self-tangling Christmas lights, and closeups and macros and more closeups and macros of ornaments. Stay tuned!
Select the first image to begin a slideshow; enjoy the photos, thanks for visiting, and have a great Thanksgiving!