Autumn Daisies (3 of 3)

From The Haunting of Hill House by Shirley Jackson:

“Eleanor went alone into the hills above Hill House, not really intending to arrive at any place in particular, not even caring where or how she went, wanting only to be secret and out from under the heavy dark wood of the house. She found a small spot where the grass was soft and dry and lay down, wondering how many years it had been since she had lain on soft grass to be alone to think. Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention….

“Idly Eleanor picked a wild daisy, which died in her fingers, and, lying on the grass, looked up into its dead face. There was nothing in her mind beyond an overwhelming wild happiness. She pulled at the daisy, and wondered, smiling at herself, What am I going to do? What am I going to do?”

From “Hell” in White and Other Tales of Ruin by Tim Lebbon:

“Chele was squatting on her haunches, picking at the lush green grass, sniffing it, running her hands across the bright daisies that grew in profusion between the coach and the trees….

“Dark things darted in the air around her head and she waved them away. I waited for them to attack her, pierce her skin and puncture her insides, but then a couple landed on her arm and they were only flies.”

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Halloween approaches, so I was pleased to find a couple of daisy-related references (quoted above) in some spooky stories. My Invisible Man costume has been fetched from the dry cleaners, and I’m all set for my traditional participation in the festivities. I do still have to pick up a few severed heads of broccoli; I normally hack it into florets and dispense them in tiny orange bags. Gotta keep those kids healthy, don’t you think? Maybe I’ll splurge this year and include some dismembered baby carrots and a ranch-dip potion. Or Vampire Beets! Everybody loves Vampire Beets!

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For this last post in my series of autumn daisies, I’ve included an example showing how much easier it is now to remove backgrounds from images with the newest release of Adobe Lightroom Classic, version 11. For comparison, see Lilies on Black Backgrounds: A Photo Project (1 of 10), where I describe the detailed (and often tedious) brushing actions required to isolate and change a background to black. With the new version, I can accomplish the same thing with a few mouse clicks.

Here, for example, is a before screenshot of one of the images in the first gallery below, with all my adjustments completed except the background change:

To get started, I first chose “Select Subject” from Lightroom’s local adjustments panel…

… and Lightroom created a mask over what it determined to be the photo’s subject. Lightroom included all four flowers and a bit of the background between the cluster of three and the fourth flower, but that’s okay.

Because I wanted to work on the background rather than the flowers, I then chose “Invert” to flip the mask…

… and Lightroom switched the mask from the foreground to the background.

I decided to exclude the fourth flower from the final image, so I selected “Add” to increase the coverage of the mask and then chose “Brush” to use a brush to do that.

Then I brushed over the fourth flower (swoop-swoop)…

… and, finally, I changed the background to all black by setting these sliders (or using the preset I previously created)…

… and it’s done!

It took way-much longer to write this description than it did to actually make the background changes. And — for this technique that I use so often — there are two huge timesavers. First, Adobe’s mask is consistent throughout the background; meaning, I don’t have to repeatedly brush over certain bright areas to effectively cover them up. And, second, there’s no need for me to zoom in and out to carefully brush around the flower petals manually — which was the most time consuming step in creating these masks in the olden days of… last week!

Occasionally, if the subject is a little fuzzy around the edges or the background at those edges is of similar brightness, I’ll make a few additional adjustments with the brush. But wherever there’s decent contrast between subject and background, that’s unnecessary. For the photos in these galleries, the only image that took a little extra effort was the fourth one below, the cluster of seventeen white daisies now floating on black. All the others were 1-2-3-done!

If you would like to learn more about Adobe’s new Lightroom masking functions, I included links to their help documentation in the first post in this series: Autumn Daisies (1 of 3).

Thanks for taking a look!

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