Christmas is a butterfly unfolding From winter’s chrysalis. Out of the black And white December harshness flash colors, Soft fragilities of wings. Icy streets Shine red and green and gold. Scarlet and pink Poinsettias glow by hearths. Angels abound. Christmas is a butterfly unfolding From the cold human heart. Out of the bleak Preoccupation with our private woes And wants, out of the tedium of routines, There springs the wish to give and to forgive. Love once again believes and hopes all things. That Christmas comes each year is proof enough: Miracles of birth and rebirth still occur.
From “The Christmas Life” by Wendy Cope in Christmas Poems, chosen by Gaby Morgan:
Bring in a tree, a young Norwegian spruce, Bring hyacinths that rooted in the cold. Bring winter jasmine as its buds unfold — Bring the Christmas life into this house.
Bring red and green and gold, bring things that shine, Bring candlesticks and music, food and wine. Bring in your memories of Christmas past. Bring in your tears for all that you have lost.
Bring in the shepherd boy, the ox and ass, Bring in the stillness of an icy night, Bring in a birth, of hope and love and light. Bring the Christmas life into this house.
“Peter had spent all afternoon searching and searching for the perfect present for his mum and dad. Something that would stop them quarrelling for just five minutes. Something that would make Christmas the way it used to be, with smiles and songs and happiness in every corner of the house….
“But all the searching had been for nothing. Peter didn’t have that much money to begin with and all the things he could afford, he didn’t want. All the gifts he could afford looked so cheap and tacky that Peter knew they would fall apart about ten seconds after they were handled. What was he going to do? He had to buy something and time was running out….
“Then he caught sight of it out of the corner of his eye. The medium-sized sign above the door said ‘The Christmas Shop’ in spidery writing. The small shop window was framed with silver and gold tinsel and a scattering of glitter like mini stars. At the bottom of the window, fake snow had been sprayed. It looked so much like the real thing that had it been outside the window instead of inside, Peter would’ve been sure it was real snow. A single Christmas tree laden with fairy lights and baubles and yet more tinsel stood proudly in the exact centre of the window….
“He wondered why he’d never seen it before…. Peter looked up and down the street. The few other shops in the same row as the Christmas Shop were all boarded up. Unexpectedly, the shop door opened. A tall portly man with a white beard and a merry twinkle in his eyes stood in the doorway….”
Star over all Eye of the night Stand on my tree Magical sight Green under frost Green under snow Green under tinsel Glitter and glow Appled with baubles Silver and gold Spangled with fire Warm over cold.
“On the hill-side beyond the shapelessly-diffused town, and in the quiet keeping of the trees that gird the village-steeple, remembrances are cut in stone, planted in common flowers; growing in grass, entwined with lowly brambles around many a mound of earth. In town and village, there are doors and windows closed against the weather, there are flaming logs heaped high, there are joyful faces, there is healthy music of voices….
“Be all ungentleness and harm excluded from the temples of the Household Gods, but be those remembrances admitted with tender encouragement! They are of the time and all its comforting and peaceful reassurances; and of the history that reunited even upon earth the living and the dead; and of the broad beneficence and goodness that too many men have tried to tear to narrow shreds.”
“Early December saw the first of the great blizzards of that year. The wind howling down out of the Canadian wilds a few hundred miles to the north had screamed over frozen Lake Michigan and hit Hohman, laying on the town great drifts of snow and long, story-high icicles, and subzero temperatures where the air cracked and sang. Streetcar wires creaked under caked ice and kids plodded to school through forty-five-mile-an-hour gales, tilting forward like tiny furred radiator ornaments, moving stiffly over the barren, clattering ground.
“Preparing to go to school was about like getting ready for extended Deep-Sea Diving. Longjohns, corduroy knickers, checkered flannel Lumberjack shirt, four sweaters, fleece-lined leatherette sheepskin coat, helmet, goggles, mittens with leatherette gauntlets and a large red star with an Indian Chief’s face in the middle, three pair of sox, high-tops, overshoes, and a sixteen-foot scarf wound spirally from left to right until only the faint glint of two eyes peering out of a mound of moving clothing told you that a kid was in the neighborhood….
“Downtown Hohman was prepared for its yearly bacchanalia of peace on earth and good will to men. Across Hohman Avenue and State Street, the gloomy main thoroughfares — drifted with snow that had lain for months and would remain until well into Spring, ice encrusted, frozen drifts along the curbs — were strung strands of green and red Christmas bulbs, and banners that snapped and cracked in the gale. From the streetlights hung plastic ivy wreaths surrounding three-dimensional Santa Claus faces.”
Ho! Ho! Hello!
If you decorate for the holidays, you’ve likely had this experience: After extracting the packed-up boxes of Christmas globbles from the attic or closet you squoze them into ten or eleven months ago, you begin to open them and exclaim, over and over again: “Oh, I forgot about THESE!” In case you didn’t know, this is part of the job assigned by the universe to Christmas decorations: to dim your off-season memory so many things you come across the following year seem new, and delightful, once again.
Something similar happens when I start thinking about the “Days to Christmas” series of posts I first started six years ago, originally as a way of learning more about photography by experimenting with the colors and lights of the Christmas season. Last year, I explained the project in some detail; see Ten Days to Christmas: Peace from 2023 if you’d like to read more about it and how each year I would add some new whatnot to my photography kit just to explore its use it with my Christmas project.
This year, I didn’t buy anything new specifically to shoot for Christmas; but imagine my surprise to discover how useful a variable neutral density filter (that I purchased to control bright sunlight when photographing flowers outdoors) could be when photographing Christmas decorations. You see, I often add supplemental lighting with these Christmas scenes, but that lighting also brightens up backgrounds too much and ruins the mood. With a variable ND filter, though, I can reduce the overall lighting as much as I want then expose the image accordingly; and the actual effect is to keep most of the light I need on the subject but darken the background and create that little sense of Christmas mystery. The photos in this post — the first three inspired by the peaceful but “shapelessly-diffused town” described by Dickens above — were taken with that technique, which enabled me to keep the subject bright and well-focused with accurate colors, while keeping the backgrounds soft and shadowy.
“Dipladenia is one of the modern favorites in the list of conservatory climbers. The Gardener’s Record [pdf] thinks too much prominence cannot be given to it; for, ‘like many climbing plants, it blooms best when grown prominently forward near to the glass, and perhaps to perfection near to the roof of an intermediate house, with general temperature not below about 55 degrees.’
“Dipladenias are natives of Central America, and belong to the order of Dogbanes, a name given by Dr. Lindley to a certain class of plants, which I believe Linnaeus described as having contorted or twisted-like flowers, with corollas resembling a catherine-wheel firework in motion. To this family belong the Periwinkle, the Oleander, etc….
“With twining habit, and large graceful flowers nearly five inches in diameter, in form like a Convolvulus, and with color varying from pale pink or French white, to clear delicate rosy pink, I know not any more lovely climbing plant for summer, and what is commonly called early autumn. It may be grown from layers, from cuttings, and from seed.”
Hello!
This is the second of two posts with photographs of Dipladenia Rio White from my garden. The first post is Dipladenia Rio White (1 of 2). Moreso than in the previous post, you can see “pale pink” or “rosy pink” (described above) that appears in the blooms during their unfolding, color swatches that tend to be more apparent in the second or third blooming cycle — though this is one of my completely unscientific observations.
Did you know “moreso” isn’t a word? Allegedly, I say! When I typed the previous sentence, the computer ensquiggled “moreso” at me as a misspelling, and I of course just assumed the computer was wrong. It turns out that “moreso” should be written as “more so” or “more-so” — but I don’t like either of those so I’m sticking with “moreso.” I’ve already used it in five previous posts, which makes it a word as far as I’m concerned. And, like everything else in our modern era, it’s controversial — see More So Vs. Moreso: Which is the Correct Spelling? — so I think I can follow my own path.
“The large, convolvulus-like, and exquisitely-colored blossoms of this plant are hardly matched by those of any twiner with which I am acquainted, and, under proper management, its charming flowers are produced very abundantly for some two or three months in succession. Notwithstanding that, it is, perhaps, the finest of all twiners which we possess, it is by no means universally cultivated; for in the hands of many it is found to bloom very shyly, or not at all, consequently it has never received the attention which it deserves.
“To insure success in its culture, a light, warm, moist situation and a brisk bottom-heat are indispensable, and where such accommodation cannot be commanded, it is useless to attempt to grow it; with proper convenience, however, it grows very rapidly and blooms abundantly. Cuttings, made of short-jointed, half-ripe shoots, root freely if inserted in sandy, peaty soil, covered with a bell-glass, and afforded a sharp bottom heat….
“In autumn, gradually reduce the supply of water, expose the plants to a circulation of warm, dry air, in order to ripen the wood, and, when this is effected, remove them to a house where the temperature may average from [50 to 60 degrees], and allow them a period of rest, giving no water to the soil during that season. Towards the end of January, or as soon afterwards as circumstances will admit, turn the plants out of their pots, shaking away a portion of the old soil, so as to be able to repot them in fresh materials without using larger pots, at the same time cutting back the shoot to a strong bud near the base. Be careful to have the fresh soil in a moist, healthy state, so as to prevent the necessity of giving much water until growth shall have commenced, and the roots taken to the soil.”
White petals unfurl like delicate fans, Yellow centers aglow in fading light, Dipladenia blooms on weathered back steps, A graceful display as day turns to night.
Autumn whispers through waning warmth, These flowers defy the season’s chill, Their brightness a lingering memory of summer, On steps where time stands still.
Hello!
Every spring for the past bunch of years, I’ve gone to one of the nearby garden centers to buy six dipladenia plants. I come home and dig out the previous year’s spent roots from six pots, replace them with the new plants, then set three pots on each side of my back steps. I’ll sometimes choose red dipladenia or sometimes pink — but I especially like these white ones with the yellow centers (officially known as “Dipladenia Rio White”), pictured below. Once they start blooming, they make a nice bright visual pathway from my back door to the courtyard, producing vines that are just robust enough to be attractive and shapely, but only require a trimming or two all season to keep the human or the dog from tripping on them.
I had tried other plants in these same six pots in the past, but have kept returning to dipladenia since — it seems to me — squirrels will leave these plants alone. Any stems or vines they chew or slice with their Freddy Krueger fingernails will exude a sticky white substance they probably don’t like. I don’t like it, for sure; so I’m guessing squirrels don’t like it either and so tend to stay away.
Dipladenia also has a strong root system, even in medium-sized pots, and isn’t bothered by the torrential waterfalls that flow from the double-peaks of my roof during thunderstorms. And here in the southeast, they’ll bloom from April until right about now (or longer, in warmer autumns) so are especially fetching at dusk when receding sunlight catches the contrasting white, yellow, and dark green colors. Late summer and early autumn — when many other flowering plants have passed their blooming stages but fall color hasn’t yet appeared — are my favorite times to photograph them.
If you read the quotation at the top, from the very old book The Floral World, Garden Guide, and Country Companion (sometimes shortened to “The Floral World and Garden Guide”), you know now how to propagate dipladenia in a greenhouse, 1879-style. I don’t actually have a greenhouse — though I’ve often wondered if I could ensqueeze one on my property somehow — but was impressed by how concisely (though somewhat old-Englishly) the author Shirley Hibberd described the process. It would be fun to try it, so if you do, let me know.
If you’ve been here before, you know I often hunt down poems about what I photograph and post them along with one or two non-fiction selections about each kind of flower or plant. I’ve written before — see here and here — about discovering all sorts of excellent books and poetry on the Internet Archive, and how much I’ve learned by doing that. But the Internet Archive (including my favorite part, “Books to Borrow”) has been offline since October 9, after suffering a data breach and a cyberattack — one so significant that it’s gotten its own Wikipedia page: Internet Archive Cyberattack. The organization is still recovering from the attack over a week later, and remains offline until… well, until it’s not offline any more.
Having used it for several years now, I can honestly say that I’ve found it indispensable, and I’m really missing my fingertip access to thousands and thousands of poems. So for today’s poem — “Autumn Dipladenia” — I instead asked my imaginary friend (and amateur poet) ClaudeAI to produce some poetry by prompting it to “write about the Dipladenia variant with white flowers and yellow centers, in pots on someone’s back steps, as they appear in late afternoon autumn light.” After a bit of back and forth with me, it developed that two-stanza poem, which surprisingly placed the plants on “weathered back steps” — which is how my steps look in real life, though I didn’t mention it when asking for the poem. Apparently ClaudeAI has (somehow!) sneaked a peek at my back yard; and I’ll leave you to decide if the poem is any good or not (it does have some pretty good imagery).
