"Pay attention to the world." -- Susan Sontag
 

A Profusion of Irises: Black (Iris) Friday!

Hello! Below are a few photos of black irises I found near the entrance to Oakland Cemetery while on my recent photo-trips. As you can see from the photos, even though it’s a called a “black iris” there are threads of purple, magenta, and dark blue running through all the petals. In brighter spots — as shown in the first two photos — yellow sunlight emphasizes the intensity of the purple and magenta shades; whereas those more shielded from the sun — where the light shifts to cooler colors — show blue highlights instead.

Select the first image to see a larger version; and try “View full size” if you would like to get a closer look at the color and detail.



The previous post in this series is:

A Profusion of Irises: Iris No. 1

Thanks for taking a look! 🙂

A Profusion of Irises: Iris No. 1

Haiku by Matsuo Basho in The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives by Stephen Buchmann:

Come on let us see
all the real flowers of this
sorrowful world.

After the dream
how real
this iris!


I’ve made enough progress with post-processing iris photos I took at Oakland Cemetery in April that I decided I would start posting some of them. Well, in this case, one of them. This beauty produced a huge blossom, about six inches across at its widest points; and if you stare at it long enough, you may feel like it’s in motion, the petals waving at you in a spring breeze. The colors — blends of dominant purple shaded with blue — are the most common iris colors, and this flower’s large size shows them off well.

Select the image to see a larger version; and try “View full size” if you would like to get a closer look at the color and detail.



Because many of the iris blooms were so large, I used narrow apertures (f/14 or higher) to get as much of the bloom (from front to back) in focus as possible. Doing so brings in a lot more background elements at the same time, of course, so as I’ve been working through the photos, I’ve made decisions about whether to keep the background as shot (which works well for an isolated bloom or a bloom and its leaves), blur it (which you will see in some future posts), or remove it entirely. The iris shapes and colors fare really well against total black, so I picked out about half of the 120 photos for background removal — despite how long it takes to “unmask” the twists and turns of the flower petals and get the final result right.

Below are side-by-side variations showing the original image of the iris, followed by the black-background version. I used Lightroom’s spot removal tool to repair some defects in the petals, though happily didn’t have to spend too much time deleting offending pollen bloblets from the flower. I also made exposure and color adjustments in Lightroom — and applied some contrast and detail filters in the Nik Collection — to lighten excess blue shades (partly a darkening or saturating effect from using narrower apertures) and add a bit of additional texture. To remove the background, I dragged a Graduated Filter across the entire image; set Exposure, Contrast, Highlights, Shadows, Whites, and Blacks as shown below; then used the Erase brush to reveal the bloom while leaving the background black.

Select the first image if you would like to compare the before and after renderings.


One down, 120 to go! Thanks for reading and taking a look! 🙂

Spring 2020: April Colors 7 (Clematis in Bloom, 3 of 3)

From The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives by Stephen Buchmann:

“Before recorded history, all cultures collected, used, and admired flowers not only for utilitarian purposes, but for their elusive fragrances and ephemeral forms that, ironically, symbolized recurring vigor and even immortality. They have enthralled and seduced us, exploiting entire civilizations to enhance their sex lives and spread their seeds. We give and receive flowers as tributes, and to commemorate life’s many triumphs and everyday events. Flowers accompany us from cradle to grave. As spices, they flavor our foods and beverages. We harvest their delicate scents, combining them into extravagantly expensive mixtures, for perfuming our bodies to evoke passion and intrigue….

“Flowers inspired the first artists, writers, photographers, and scientists, just as they do today on street corners, in florist shops and farmers’ markets, in books, paintings, sculptures, and commercial advertising. They moved online with ease.”

From Wherever You Go, There You Are by Jon Kabat-Zinn:

“Spring comes, the birds sing in the trees once again, leaves return to the trees which lost them, flowers bloom in the high meadows and on the slopes, streams overflow with waters of melting snow. Through it all, the mountain continues to sit, unmoved by the weather, by what happens on the surface, by the world of appearances…. As we sit holding this image in our mind, we can embody the same unwavering stillness and rootedness in the face of everything that changes in our own lives over seconds, hours, and years.

“May we continue to give ourselves over to what is deepest and best in ourselves, over and over and over again, encouraging those seeds of our truest nature to grow and flower and — for the sake of all beings near and far, known and unknown — nourish our lives and work and world from moment to moment, and from day to day.”

Here we are, on the last day of the month … we made it through April, mostly hunkered down but with occasional outdoor excursions, observing the birds that still sang, the trees that waved to life in their varied shades of green, and of course the plants and flowers that unrolled Spring 2020 like a blanket of color, texture, and shape. What will May bring? More uncertainty, more unknowns, probably more confusion … and, for me, new collections of irises, wisteria, and spiderwort — from photos I’ve taken over the past few weeks — along with more photos of any other flashes of color that catch my eye.

For this last clematis collection, I altered variations of images from the previous two posts to remove the background — something that creates nice contrast with the purple, violet, and magenta colors prominent in these blooms. For the first gallery, I used Lightroom brushes to patiently paint the backgrounds black, following (in slow motion!) the outer lines created by each petal. For the second and third galleries (showing a Bernadine Clematis), I used radial filters instead of brushes, to create the impression of light fading from the center of the bloom to each petal’s edge.

The previous posts in this series are:

Spring 2020: April Colors 6 (Clematis in Bloom, 2 of 3): and

Spring 2020: April Colors 5 (Clematis in Bloom, 1 of 3); and

Spring 2020: April Colors 4 (White, Orange, and Red-Red); and

Spring 2020: April Colors 3 (Purple and Yellow (and Yellow and Purple)); and

Spring 2020: April Colors 2 (Catawba Grapevine); and

Spring 2020: April Colors 1.

Thanks for reading and taking a look! See you in May!





Spring 2020: April Colors 6 (Clematis in Bloom, 2 of 3)

From The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives by Stephen Buchmann:

Most open by dawn’s first light or unfurl their charms as the day progresses. Others unwrap their diaphanous petals, like expensive presents, after dark, waiting for the arrival of beloved guests under a radiant moon. We know them as flowers. They are nature’s advertisements, using their beauty to beguile and reward passing insects or birds or bats or people willing to attend to their reproduction. The beauty of their shapes, colors, and scents transforms us through intimate experiences in our gardens, homes, offices, parks and public spaces, and wildlands. Importantly, flowers feed and clothe us. Their fruits and seeds keep the world’s 7.2 billion people from starvation. Flowers represent our past along with our hope for a bright future.

So what is the point of a flower exactly? Have you ever wondered about that? I know I have, so I started reading Stephen Buchmann’s book The Reason for Flowers: Their History, Culture, Biology, and How They Change Our Lives (I am just on page ix) and the quote above is from the book’s preface. Normally I only include quotes here from books I’ve already read, but since I’ve got gobs and gobs of flower photos still to process and post (and more to take!), I think I’ll work through the book as I progress through the photos — and post about both. About halfway through the book is a section called “Flowers in Literature, Art, and Myth” that I imagine will be especially interesting to me as I often poke around trying to find references to flowers in fiction, poetry, art books, and photography books. I’ve never really puzzled that much about why I even like taking pictures of flowers (and plants and trees more generally); but like many things that stick to us as we grow up, I think that interest stems (at least partly) from exploring forests near my family home. I still remember the first time I came across a batch of tiny pink lady slipper orchids growing among shed needles of large pine trees while I was out wandering one day, and being fascinated by their delicacy and shape, and the luminous color woven throughout the shade of the trees.

The delightful flower below is a Bernadine Clematis, which made its first appearance here last year (see Clematis Variations: Gallery 1 of 2). One of the two plants I bought didn’t survive an unseasonable May 2019 heat wave; and the second while diminished in size quite a bit, sprang back enough to produce a small cluster of blooms. The first gallery below shows the blooms on the morning they opened, and the rest of the photos follow the blooms for a few days as they reached full size.

The previous posts in this series are:

Spring 2020: April Colors 5 (Clematis in Bloom, 1 of 3); and

Spring 2020: April Colors 4 (White, Orange, and Red-Red); and

Spring 2020: April Colors 3 (Purple and Yellow (and Yellow and Purple)); and

Spring 2020: April Colors 2 (Catawba Grapevine); and

Spring 2020: April Colors 1.

Thanks for reading and taking a look!





Spring 2020: April Colors 5 (Clematis in Bloom, 1 of 3)

With most of my nearby worlds still shut down, my spring photography will for some indefinite time alternate between my-garden photo shoots and Oakland Cemetery photo shoots, both locations presenting plenty of subjects to keep me busy. On a nice day earlier this week, I did go over to Oakland for a bit of iris-hunting — as irises are making an appearance in any spot sunny enough to encourage them to bloom — and encountered more than a dozen varieties in every imaginable color between white and black. I had never actually seen black irises in real life; the black is strangely reflective of surrounding light, picking up deep purples from other parts of the flower that glowed in the camera’s viewfinder. Ah, but that’s for another day; this post doesn’t feature iris photos — I’ve got plenty of work to do on them before I can share — but it is the first of three posts featuring clematis blooms in my back yard.

When planted in pots, the growth of clematis vines is somewhat restricted, so all the blooms they’re going to produce for the season tend to come and go in a week or two. Mostly they’re already gone, having dissolved and blown away during some recent thunderstorms, so they live only here on my blog now rather than in the back yard. The first gallery shows a few of the flower buds on the day before they bloomed; the rest are, of course, some of the blooms.

The previous posts in this series are:

Spring 2020: April Colors 4 (White, Orange, and Red-Red); and

Spring 2020: April Colors 3 (Purple and Yellow (and Yellow and Purple)); and

Spring 2020: April Colors 2 (Catawba Grapevine); and

Spring 2020: April Colors 1.

Thanks for taking a look!