Hello and welcome to DaleDucatte.com!
Since I returned to blogging in 2018, I’ve been posting the same content here and on two other sites: daleducatte.wordpress.com and afewgoodpens.wordpress.com. This year, I’ll be concentrating my efforts on this site — DaleDucatte.com — using the time I’ll save managing one site instead of three to spend more time writing content; continuing my photography experiments, learning, and sharing; and adding new capabilities here that are available in my theme from Cryout Creations. So, as I posted on my WordPress.com blogs, I migrated everyone following those two sites to this one earlier this morning.
As a result of the migration, you will now see posts from this site in your WordPress.com Reader. You might want to check your notification settings, as those aren’t carried over by the migration. You can set notifications on Manage Followed Sites for your WordPress.com account, or click this handy link to go directly to your notification settings for this site:
Last year was a fun year in blogging for me, one greatly enhanced by all our interactions. 2019 will be even better than that!
More soon! Thanks for reading, thanks for your support, and stay tuned!
From Black & White Photography: The Timeless Art of Monochrome by Michael Freeman:
“Black-and-white film photography, its image qualities and processes, have a great deal to teach us…. What sets black and white apart from colour is that it is not the way we see the world, and it does not pretend to represent reality. It is a translation of a view into a special medium with very particular characteristics.”
On Wednesday, I posted a series of photos of a vintage camera, a No.1 Pocket Kodak. While working on the photos, I accidentally converted one to black and white in Lightroom, briefly thinking “Well, that’s kinda cool” but then flipped it back to color and continued processing the batch. I hardly ever work in black and white, you see, because I’m so colorful, but I still thought it might be fun to come back to this set of photos and give black and white a shot, especially since most of the color in the photos came from the background or from the slight blue cast emanating from the camera body. I also got a bit of inspiration from a Christmas gift a friend sent me…
… a series of books by photographer Michael Freeman — including the one I quoted above — that I’ve been reading from nearly every day since I got them.
I took the color photos with two of my favorite lenses: a Minolta 50mm f/1.7 lens that’s about 25 years old (that even has its own Wikipedia page) and a Sony 100mm f/2.8 Macro lens that I’ve had for a few years (that has no Wikipedia page but gets used for many of my closeups and macros). Both lenses do well in low light and even intentional under-exposure, so were ideal for the camera photos: taken on my dining room table lit by a single window, with supplemental lighting from a small LED flashlight (yes, you read that right) that I normally use for finding things in the depths of dark closets. I did use a high ISO when taking the photos — because I forgot to check my camera’s ISO setting before shooting (oops!) and it was set to 1600 — but Lightroom and the Nik Collection did a suitable job of ridding the photos of what little noise was captured.
So I made copies of the color images that I’d processed and posted — having done mostly saturation and contrast adjustments — and ran them through Nik’s Color Efex Pro, applying these filters:
- Black and White Conversion, where I made brightness, shadow, highlight, and contrast adjustments;
- Tonal Contrast, to soften the images slightly and create smoothness in the backgrounds;
- Darken/Lighten Center, to accentuate lighting on the camera and shift the eye’s focus to the camera body;
- Detail Extractor, to reveal the structure and texture of the camera’s bellows and leather case, recovering a bit of detail that was lost by the Tonal Contrast adjustment.
The first gallery below shows the black-and-white versions of Wednesday’s images. Personally I think they’re interesting, but what I really liked was experimenting with the same tools I’ve been using for color photos for a while now, in the world of black and white. I avoided special effects — like applying warming filters, converting them to sepia-tone, or adding grain for that aged look — and concentrated on how to make the primary subject appealing without color.
In the second gallery, I’ve set the black-and-white and color images side-by-side. You can select the first image and page through a slideshow to view them as before-and-after versions. Thanks for looking!
From the essay “House-Warming” in Walden and Other Writings by Henry David Thoreau:
“The snow had already covered the ground … and surrounded me suddenly with the scenery of winter. I withdrew yet farther into my shell, and endeavored to keep a bright fire both within my house and within my breast. My employment out of doors now was to collect the dead wood in the forest, bringing it in my hands or on my shoulders, or sometimes trailing a dead pine tree under each arm to my shed. An old forest fence which had seen its best days was a great haul for me….”
“At length the winter set in in good earnest … and the wind began to howl around the house as if it had not had permission to do so till then.”
The gallery below contains the last of three sets of photos I took in the days following a snowstorm in northern New York.
The previous sets in this series are here:
Winter Scenes: After the Storm (Set 2 of 3)
Winter Scenes: After the Storm (Set 1 of 3)
Enjoy the photos!
Bye for now……………….. 🙂