"Pay attention to the world." -- Susan Sontag
 

White Zephyr Lilies, Zephyranthes candida

From “Diverse Bulbs for the South” in A Garden of One’s Own: Writings of Elizabeth Lawrence, edited by Barbara Scott and Bobby J. Ward:

“Among the plants contributed to American gardens by the warm countries are representatives of the three great bulb families: the Amaryllidaceae, the Liliaceae, and the Iridaceae. Ranging in color from flaming orange and scarlet to clear pink and pure white, and in size from the magnificent crinum to the dainty Brodiaea uniflora [Ipheion uniflorum], they also offer a wide variety in form and foliage.

“The Amaryllis family is a major source of bulbs for mild climates. Their grace and charm is suggested by the poetic and mythological names of some of the genera: Lycoris and Nerine for sea sprites; Amaryllis for the nymph celebrated by Theocritus and Virgil; Hyacinthus for the unfortunate shepherd, beloved of Apollo; and Zephyranthes, flower of the west wind….

“The fairy lilies (Zephyranthes) are charming dwarf amaryllids. In April the low lying meadows from Virginia to Florida are white with our native atamasco lilies (
Z. atamasca), but their possibilities for the garden have never been fully realized although they are easily transplanted and respond to cultivation. The atamasco lily is the lily type of zephyranthes. It has single white flowers and very narrow strap-like foliage….

“Z. candida, another white species — called the summer crocus although it blooms in the fall — is the crocus type. The small, cupped flowers tinged with pink on the outside when the nights get cooler appear in September and October, and the perennial leaves make a green edging for winter.”

From “The Rainflower” by Richard Edwards in Green Poems, collected by Jill Bennett:

Down in the forest where light never falls
There’s a place that no one else knows,
A deep marshy hollow beside a grey lake
And that’s where the rainflower grows.

The one silver rainflower that’s left in the world,
Alone in the mist and the damp,
Lifts up its bright head from a cluster of leaves
And shines through the gloom like a lamp.

Far from the footpaths and far from the roads,
In a silence where no birds call,
It blooms like a secret, a star in the dark,
The last silver rainflower of all.

So keep close behind me and follow me down,
I’ll take you where no one else goes,
And there in the hollow beside the grey lake,
We’ll stand where the rainflower grows.


Hello!

Here we have a collection of landscape border plants from Oakland Cemetery, Zephyranthes candida or white Zephyr Lilies. Zephyr Lilies are known by quite a few other common names, including Atamasco Lily, Rain Lily (or Rain Flower), Fairy Lily, Swamp Lily, Wild Easter Lily, and Stagger Grass. Several of the common names are specific to countries or regions, while “Zephyr Lily” reflects the plant’s scientific name; “Rain Lily” and “Rain Flower” represent its habit of blooming in large quantities a day or two after spring or fall showers; “Atamasco Lily” is a close relative similar in appearance but with longer and thinner flower petals; and “Stagger Grass” refers to their intoxicating effect on livestock (which you can read about in my posts from last year, Discovering Zephyr Lilies (1 of 2) and Discovering Zephyr Lilies (2 of 2)).

As is so often the case, Zephyrs aren’t actually lilies — they’re members of the Amaryllis family. Oakland uses them as border plants in several sections of the property, with some in bloom in the spring and early summer, and others blooming in the fall. I tend to notice them more as fall approaches, since there’s less competition from other eye-catching flowers and Zephyrs fill the gap between late-blooming Amaryllis and the October to November waves of asters and mums. Zephyranthes candida has especially bright pure-white flower petals that contrast nicely with their orange anthers, their wispy dark green leaves, and any nearby monuments — so they do tend to attract attention despite their small size.

Thanks for taking a look!








Pink Daisies, Pink Mums (3 of 3)

From “Worcester: The Canal” in Under the Cliff and Other Poems by Geoffrey Grigson:

The autumn daisies dipped in the wind
In the olive water,
Oil patches, like a marbled fly-leaf,
Turned in the wind, on the water.

A swan; and the black, elegant bridge,
Like a theorem, over
The canal and the towpath: a circle
Over an arch, by a great arch.

And a black engine on the bridge, named
As a Princess, smoking. Rusty
Galvanised over the coffin yard,
A man passing with leeks….


Hello!

This is the third of three posts with photographs of Persian (or Painted) Daisies (Tanacetum coccineum) and mums (Chrysanthemum zawadzkii). The first post — where I also wrote about the significance of mums and daisies at Victorian garden cemeteries — is Pink Daisies, Pink Mums (1 of 3); and the second post is Pink Daisies, Pink Mums (2 of 3).

Here we are on the last day of November (how did THAT happen?), right on the cusp of starting the month of curiosities and baubles, clouds of glitter, and the lights and candles we use to ward off winter darkness. For my part, I’ve engaged the services of my decorating assistant — The Small Dog — who supervised the work yesterday as I untangled the first of two strings of 900 (three sets of 300 each) lights and began shoving them into the Christmas tree. You can just barely see his head peaking around the wall in the first image, but the more I swore at the lights to encourage them to straighten out, the more interested he got!










Pink Daisies, Pink Mums (2 of 3)

From “Sensory” by Marian Harmon in The Best Poems of the 90s, edited by Caroline Sullivan and Cynthia Stevens:

Eyes to photo flights of hummingbirds
As television lions mate, Vesuvius explodes.
Eyes to read the shape of breasts that swell
And turn to milk for one as yet unborn.

Tongues to taste new kernel corn
The bite of dill,
The sweet bright mouth of love.

Ears to hear the measured paragraphs of Bach
The stamping of the tiny hooves of deer.
Unfinished words that slither into nibbled cries.

Nose that knows delight in spring verbena,
Summer phlox and autumn mums,
The perfumed sweat that rises with my touch.

Yet all those wonders fade, become as garden weeds,
Or dust on lamps
When you no longer share
The scents, the sounds, the tastes,
The beating of my wings.


Hello!

This is the second of three posts with photographs of Persian (or Painted) Daisies (Tanacetum coccineum) and mums (Chrysanthemum zawadzkii) — all in shades of pink, starting with saturated blends of pink, purple, and magenta followed by those that are more purely pink. The first post — where I also wrote about the significance of mums and daisies at Victorian garden cemeteries — is Pink Daisies, Pink Mums (1 of 3).

Thanks for taking a look!