"Pay attention to the world." -- Susan Sontag
 

Black-Eyed and Brown-Eyed Susans (1 of 2)

From “Rudbeckia (Asteraceae)” in Garden Flora: The Natural and Cultural History of the Plants In Your Garden by Noel Kingsbury:

“The name [Rudbeckia] was bestowed by Linnaeus, in honor of his teacher at Uppsala University in Sweden, Olof Rudbeck the Younger, and his father, Olof Rudbeck the Elder. It is the dark centres to these golden-yellow daisies which draw us to them — hence, the common name black-eyed Susans (coneflower is another). There are 23 species, all rapidly growing herbaceous perennials and all native to North America, largely the midwestern and eastern U.S. states….

“Rudbeckias are generalists, growing in a wide range of both open and lightly shaded habitats, from virgin prairie to waste ground, but preferring moister and more fertile soils. Of the species in cultivation, Rudbeckia hirta and R. triloba are short-lived non-clonal perennials, often members of pioneer communities; the remainder are clonal and competitive, often strongly spreading, although not always persistent. Rudbeckias have had a minor role in Native American medicine, sometimes as a substitute for echinacea.”


Hello!

Last week I went hunting at Oakland Cemetery’s gardens for some of the tiny, colorful asters that I’ve previously photographed around this time of year (see, for example Autumn Asters (1 of 3), Autumn Asters (2 of 3), and Autumn Asters (3 of 3)). I was a little too early, as it turns out, finding only tiny buds not yet ready to open — but I did come across some substantial gatherings of the flowers featured in the images below. The first three photos will give you some idea of the flower volume: a bloom-forest teaming with moths, bees, and other wee pollinators bouncing among the “eyes” of these flowers.

Black-eyed Susans (Rudbeckia hirta) and Brown-eyed Susans (Rudbeckia triloba) are members of the Asteraceae family — so I guess I actually did find asters, just not the ones I was looking for. Wikipedia lists other common names for the plants, including Coneflower, Brown Betty, Gloriosa Daisy, Golden Jerusalem, English Bull’s Eye, Poor-Land Daisy, Yellow Daisy, and Yellow Ox-eye Daisy — and many of these names likely have some fun historical roots and local usages. I did asked one of the AI tools if the name “Susan” in “Black-eyed Susan” once referred to any specific person, and here’s what I sort-of learned from ClaudeAI:

There are a few theories about the origin of the “Susan” part of the name Black-eyed Susan, but unfortunately there is no definitive evidence pinpointing exactly who Susan refers to. Here are some of the main theories:

  • One belief is that it was named after an English woman called Susan who frequently handed out flowers, including rudbeckias. This may explain the flower’s association with cheerfulness and hospitality.
  • A common legend says it was named by European settlers for a native Algonquin woman who helped them learn wildflower names. This speaks to its native North American origins.
  • Some think it may be biblical in origin and refer to Susanna from the Book of Daniel in the Old Testament.
  • There are unverified references to individual women named Susan in colonial America for whom the flower was informally named.
  • It may simply refer generically to the archetype of a strong, plainspoken woman, as Susan sometimes represented in folk culture.

Unfortunately there is no solid evidence for any of these possibilities over the others. The name was in use by the late 1700s, but the exact inspiration remains mysterious. So while the “Susan” in Black-eyed Susan is vivid, the specific person or meaning behind it has been lost to history.


It was an overcast day when I took these photos, which made the flowers glow against their dark green backgrounds, and the filtered light accentuated a color shift from yellow toward a more saturated orange. The “eyes” actually vary in color and include both black and dark brown, which helped me differentiate Black-eyed from Brown-eyed Susans.  The brown eyes reflect more yellow or orange shades from the flower than the black ones, on which you may see bits of blue color along with the black.

Thanks for reading and taking a look!






Autumn Remnants (2 of 2)

From “December” by Christopher Cranch in Three Centuries of American Poetry edited by Allen Mandelbaum and Robert D. Richardson:

No more the scarlet maples flash and burn
Their beacon-fires from hilltop and from plain;
The meadow-grasses and the woodland fern
In the bleak woods lie withered once again.

The trees stand bare, and bare each stony scar
Upon the cliffs; half frozen glide the rills;
The steel-blue river like a scimitar
Lies cold and curved between the dusky hills.

Over the upland farm I take my walk,
And miss the flaunting flocks of golden-rod;
Each autumn flower a dry and leafless stalk,
Each mossy field a track of frozen sod.

From “Wordsworth’s Mountain” in Upstream: Selected Essays by Mary Oliver:

“There is a rumor of total welcome among the frosts of the winter morning….

“The field I am looking at is perhaps twenty acres altogether, long and broad. The sun has not yet risen but is sending its first showers over the mountains, a kind of rehearsal, a slant light with even a golden cast…. The light touches every blade of frozen grass, which then burns as a particular as well as part of the general view. The still-upright weeds have become wands, encased in a temporary shirt of ice and light… Neither does this first light miss the opportunity of the small pond, or the groups of pine trees. And now: enough of silver, behold the pink, even a vague, unsurpassable flush of pale green….

“It is the performance of this hour only, the dawning of the day, fresh and ever new.”


Hello!

This is the second of two posts featuring the last of my autumn color photos for this season. The first post is Autumn Remnants (1 of 2); and three related posts are Autumn Dreams of Christmas (1 of 2); Autumn Dreams of Christmas (2 of 2); and Seven Days to Christmas: When Nature Does the Decorating.

That’s it for me for 2022! See you on the other side! Of New Year’s Eve, that is.

Thanks for taking a look!






Autumn Remnants (1 of 2)

From “O Lacrimosa” in Ahead of All Parting by Rainer Maria Rilke:

Ah, but the winters! The earth’s mysterious
turning-within. Where around the dead
in the pure receding of sap,
boldness is gathered,
the boldness of future springtimes.
Where imagination occurs
beneath what is rigid; where all the green
worn thin by the vast summers
again turns into a new
insight and the mirror of intuition;
where the flowers’ color
wholly forgets that lingering of our eyes.

From “Nature” in The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“The production of a work of art throws a light upon the mystery of humanity. A work of art is an abstract or epitome of the world. It is the result or expression of nature, in miniature. For although the works of nature are innumerable and all different, the result or the expression of them all is similar and single. Nature is a sea of forms radically alike and even unique….

“A leaf, a sunbeam, a landscape, the ocean, make an analogous impression on the mind. What is common to them all — that perfectness and harmony, is beauty. The standard of beauty is the entire circuit of natural forms — the totality of nature….

“Nothing is quite beautiful alone; nothing but is beautiful in the whole. A single object is only so far beautiful as it suggests this universal grace. The poet, the painter, the sculptor, the musician, the architect, seek each to concentrate this radiance of the world on one point, and each in his several work to satisfy the love of beauty which stimulates him to produce…. Thus in art does Nature work through the will of a man filled with the beauty of her first works.”


Hello!

Autumn color came to my neighborhood pretty late this year, butting up against the Christmas holidays and my Christmas photo project (see Days to Christmas 2022). I had taken quite a few leaf and tree photos in late November and early December, and associated the more brightly colored ones with Christmas on three posts…

Autumn Dreams of Christmas (1 of 2)

Autumn Dreams of Christmas (2 of 2)

Seven Days to Christmas: When Nature Does the Decorating

… then yesterday went through what was left from those fall color shoots. For this post and the next one, I put together some small galleries of those photos that remained in my catalog — mostly reds and oranges or yellows, all certainly now blown away with the passing through of last week’s winter storm.

Thanks for taking a look!





Autumn Dreams of Christmas (2 of 2)

From Walden and Other Writings by Henry David Thoreau:

“We heard the sigh of the first autumnal wind, and even the water had acquired a grayer hue. The sumach, grape, and maple were already changed, and the milkweed had turned to a deep rich yellow. In all woods the leaves were fast ripening for their fall; for their full veins and lively gloss mark the ripe leaf, and not the sered one of the poets; and we knew that the maples, stripped of their leaves among the earliest, would soon stand like a wreath of smoke along the edge of the meadow. Already the cattle were heard to low wildly in the pastures and along the highways, restlessly running to and fro, as if in apprehension of the withering of the grass and of the approach of winter. Our thoughts too began to rustle.”

From “Christmas Tide” by Eliza Cook in A Vintage Christmas: A Collection of Classic Stories and Poems:

Let the autumn days produce
Yellow corn and purple juice,
And Nature’s feast be spread
In the fruitage ripe and red;
‘Tis grateful to behold
Gushing grapes and fields of gold,
When cheeks are brown’d and red lips deeper dyed:
But give, oh! give to me
The winter night of glee,
The mirth and plenty seen at Christmas tide.


Hello!

This is the second of two posts with photographs showing how nature gets ready for Christmas. The first post is Autumn Dreams of Christmas (1 of 2). Here we have some shades of red — deeply red maples and oaks filling the frame — followed by variations on yellow, orange, and gold. Someone, somewhere, once upon a time surely looked at sights like this and thought: hey, I should put these brilliant colors on a tree inside my house!

Thanks for taking a look!







Autumn Dreams of Christmas (1 of 2)

From “Autumn Woods” in Poems by William Cullen Bryant:

Ere, in the northern gale,
The summer tresses of the trees are gone,
The woods of Autumn, all around our vale,
Have put their glory on.

The mountains that infold,
In their wide sweep, the coloured landscape round,
Seem groups of giant kings, in purple and gold,
That guard the enchanted ground.

From “The First Christmas of New England” by Harriet Beecher Stowe in The Ultimate Christmas Collection:

“Such are the woody shores of Cape Cod as we look back upon them in that distant November day, and the harbor lies like a great crystal gem on the bosom of a virgin wilderness. The fir trees, the pine trees, and the bay, rejoice together in freedom, for as yet the axe has spared them; in the noble bay no shipping has found shelter; no voice or sound of civilized man has broken the sweet calm of the forest.

“The oak leaves, now turned to crimson and maroon by the autumn frosts, reflect themselves in flushes of color on the still waters. The golden leaves of the sassafras yet cling to the branches… and every brushing wind bears showers of them down to the water. Here and there the dark spires of the cedar and the green leaves and red berries of the holly contrast with these lighter tints. The forest foliage grows down to the water’s edge, so that the dash of the rising and falling tide washes into the shaggy cedar boughs which here and there lean over and dip in the waves.”


Hello!

One of the neat things about the change from summer to fall here in Georgia is that it often continues late into November — so autumn color hangs around until mid-December and a lot is still visible as people sling up their trees and festoon their houses with Christmas lights. It makes for an extended seasonal color show — especially delightful to people like me who like to explore color in nature then transition quickly to photographing the lights and colors of things around the house for a set of Christmas decoration posts. For the past three years, I’ve assembled a series that I call “Days to Christmas” — which starts ten days out from the big day and continues until December 25th. If you would like to see those from the previous year you can use these links…

Days to Christmas 2021

Days to Christmas 2020

Days to Christmas 2019

… or just wait until December 15 when I start over again.

There’s always a bit of repetition (let’s just call it a “tradition”) among the photographs for these series — I mean, one only has so many trinkets and baubles, doesn’t one? — so each year I try out new whatnot arrangements or background setups or color and light experiments to keep it interesting (at least for me!), and learn a little more about photography techniques in the process.

Last year, for example, I bought a rolling cart I could use to stage objects in front of different backgrounds (like the Christmas tree) instead of using my dining room chairs, and the cart doubles as a camera and lens storage cabinet off-season. I roll the cart around to see how different camera settings affect depth of field and bokeh. I also added a lightstand to my home photography “studio” (also known as: my foyer) so that I could hang wrapping paper in midair and use it as a backdrop instead of tacking the paper to my walls. This year, I ordered a lighting kit for the alleged studio — and though I haven’t received it yet, I’m hoping it will eliminate the need to position flashlights and random lamps to produce lighting variations, and, perhaps, pose more formal portraits of The Dog. Assuming I can get him to sit still, that is….


The photographs in this post (and the next one) were taken in late November and early December, when the Japanese Maple varieties were especially colorful. The first seven are Japanese Maple trees; and the group of five are photos of a gigantic Japanese maple shrub that hangs over one of the old stone walls in Oakland Cemetery’s gardens. The last three show droppings from a regular — as in not-Japanese — maple that I’ve seen before produces a lot of different leaf colors, mixed with some leaves that floated in from oak trees nearby.

Thanks for reading and taking a look!