"Pay attention to the world." -- Susan Sontag
 

Red Mums and Daisies (2 of 4)

From “The Honourable and Imperial Flower” in Chrysanthemum (Botanical) by Twigs Way:

“Asia forms the heartland of the wild chrysanthemum, with China the centre of diversity…. In addition to being prized for its beauty, the chrysanthemum was incorporated into the very heart of Chinese culture, in literature, religion and the very rhythm of the seasons, with festivals and traditions linked to their flowering….

“Unlike the relatively simple and largely romanticized ‘language of flowers’ of the West, in China the meaning of individual plants is overlaid not only with historical and cultural association and religious symbolism, but with philosophical attributes associated with flower shape, colour, flowering time and growth habit. In Chinese culture plants may also be combined to make favourable or auspicious groupings; for example the pine, bamboo and plum combine to make the ‘Three Friends of Winter’, or
suihan sanyou, and represent longevity and perseverance, which in turn are virtues attached to the ‘gentleman scholar’….

“When the chrysanthemum, bamboo, plum blossom and orchid are combined they are collectively referred to as the ‘Four Gentlemen’ or ‘Four Noblemen’. In this guise they represent the four seasons and the unfolding nature of the year from autumn to winter through spring and summer. This in turn represents the passage through life and its cyclical return.”

From “At the Moment” in The Cranes are Flying by Joan P. Hudson:

At the moment a wind
snow is biting the skin.
A dim sun with a ring
around it is slightly shining.

A patch of snow is melting
and growing smaller and
smaller every few days.
Tiny brown sparrows
being flushed from the trees.

No wish from you on this day.
Only a red chrysanthemum
staying ablaze in a cup of water
carefully refilled time after time….


Hello!

This is the second of four posts featuring photographs of mums and daisies from Oakland Cemetery’s gardens, that I took in late November and early December. The first post is Red Mums and Daisies (1 of 4).

Big Weather is threatening us with another snowstorm, “storm” being a bit relative here since a southeastern snowstorm is any amount of snow over a dusting from flurries. I think this one’s less likely than the last one (which I also thought was unlikely — surprise!), and I’m right at the predicted dividing line between snow and not-snow, so I may or may not see any. Even so, it’s much colder than a typical late January — with temps barely creeping up to freezing — so I’m glad to have some warm and fiery red flowers to work on and share.

Thanks for taking a look!








Red Mums and Daisies (1 of 4)

From the Introduction to Chrysanthemum (Botanical) by Twigs Way:

“From philosophy to art, ceramics to silks, medicine to death: the chrysanthemum winds its way through ancient Chinese culture to the imperial courts of Japan and onto the canvases and pages of Western civilization. Often dismissed as the ‘showman’s flower’ it draws its allure from the gold of the Sun and the rule of emperors, with sunset shades beloved by East and West. The delicacy of its petals, combined with a long flowering period, gained it the affection of the ancient Chinese, who named it Chu, from which comes the name of the ancient city Ta-chu Hsien….

“Coming to Europe with the opening up of Chinese trade in the eighteenth century, the flower was given a new baptism and
chu or kiku became chrysanthemum, named from the Greek for gold (chrysos) and for flower (anthos). Ironically, it was not until the importation of ‘Old Purple’, a plum-red variety, that the possibilities of the chrysanthemum were truly appreciated in the West as the cheering yellow colours of the original wild chrysanthemum multiplied into an array of autumnal hues….

“Filling the autumn months, they give rise to associations varying from remembrance of ancestors to the start of the American football season — the latter an occasion to which it was long a tradition to wear a chrysanthemum buttonhole. In America the tradition of Thanksgiving was soon regarded as incomplete without a bunch of chrysanthemums, despite the fact that they only arrived on the continent in the late eighteenth century.”

From “Chrysanthemums” in Shoes of the Wind: A Book of Poems by Hilda Conkling:

Dusky red chrysanthemums out of Japan,
With silver-backed petals like armor,
Tell me what you think sometimes?
You have fiery pink in you too…
You all mean loveliness:
You say a word
Of joy.
You come from gardens unknown
Where the sun rises…
You bow your heads to merry little breezes
That run by like fairies of happiness;
You love the wind and woody vines
That outline the forest…
You love brooks and clouds…
Your thoughts are better than my thoughts
When the moon is getting high!


Hello!

Here we have the first of four posts featuring photographs of mums and daisies from Oakland Cemetery’s gardens, that I took in late November and early December. My previous posts with pink and magenta mums and daisies from the same trips are:

Pink Daisies, Pink Mums (1 of 3)
Pink Daisies, Pink Mums (2 of 3)
Pink Daisies, Pink Mums (3 of 3)
Mums, Magenta Style

As I often do, I’ve organized the photographs by color: this set of four posts features blooms where the color red dominates — and these flowers seem to have produced just about every shade of red you could imagine. Some yellow, orange, and white collections are currently queued in my backlog, just waiting to be set free later this month and beyond.

According to PlantNet (and depending on which photograph you’re viewing), the plants will likely be Hardy Garden Mums (Chrysanthemum × morifolium), Persian Daisies (Tanacetum coccineum), or Indian Chrysanthemums (Chrysanthemum indicum) — so you have a one-third chance of getting the name right, as PlantNet attributes about the same probability to each of these three plant names upon examining my photographs. You could also just call them Asters — from their family name Asteraceae — and of course get it exactly right in all cases.

I was glad to come across the book I quoted briefly at the top of this post because I like discovering new books devoted to just one plant genus, especially if the books dive into the botanical and cultural history of the plants. Chrysanthemum (Botanical) by Twigs Way is part of a series of twenty-seven books, each taking a similar approach to botanical history. In my imagination, I like to think I’ll eventually own the whole series; but realistically, I’ll take a look at certain ones as the blooming period for those flowers approaches. We’re not just about photographs here (not that there’s anything wrong with that), so finding books about the dynasties of lilies, snowdrops (a book just about snowdrops!), tulips, rhododendrons, sunflowers, cherries, roses, and daffodils (forthcoming) — all plants that pose for my photoshoots — turns each nature trip into an exploration of not only photography but of plants and their relation to human histories. We are going to learn so many new things!

Thanks for taking a look!








Mums, Magenta Style

From “Chrysanthemum” in Garden Flowers by Matthias Hermann:

“The name chrysanthemum (golden flower) comes from the characteristic golden-yellow color which most species had, at least in the primitive types. But cultivation has so modified this genus that the yellow color has completely disappeared in a great many varieties. As typical of real chrysanthemums, there is the old garden chrysanthemum which came from Mediterranean Europe, it is a perennial plant cultivated as an annual. One variety with completely white flowers was obtained which is very hardy and comes up in any position. Its very abundant flowers bloom successively from June until the frosts.

“The most remarkable of all is the Indian chrysanthemum. This beautiful species has a considerable number of varieties, which differ in the size of the plant, the shape, sizes and color of the flowers and flowering season; among these are the common garden chrysanthemum with wide flowers and long spreading rays whose stems and flower-heads can reach enormous proportions, and the Christmas flower, which is interesting because of the strange arrangement of its florets.”

From “Transplanted Beauty” in The Exhilaration of Flowers by Jean MacKenzie:

“Magenta Mums.”
Sloppy abbreviated speech?
“Magenta Chrysanthemums.”
Translated from the Greek —
magenta “golden flowers.”
Startling confusion of colours
….

I was given some plants to brighten
the southern bed in front of my house.
They gratefully flourished.

Shoots from those early plants
gladden the gardens
of many relatives and friends.

Like autumnal Painted Daisies,
magenta rays encircle golden centres
above multitudes of aromatic lobed leaves.


Hello!

Autumn seems like the shortest season of the year here in the middle of Georgia, one that flies by with a few flashes of traditional fall color in a matter of days. Unless we get cold weather in September (which is rare) or some freezing days in October (which is nearly as rare) then Atlanta’s trees don’t turn until mid- to late-November, then they promptly drop all their leaves. Delightfully, though, the few temperate weeks of November leading up to the Thanksgiving and Christmas holidays seem to give autumn mums and daisies a big boost — so I go mum-hunting around that time and save most of the photos for January. Then, during the most colorless time of the year, I still get to work with nature’s tints and tones for a few weeks before those of early spring start to appear.

I posted some of the mums I photographed on these trips around Thanksgiving (see Pink Daisies, Pink Mums (1 of 3), Pink Daisies, Pink Mums (2 of 3), and Pink Daisies, Pink Mums (3 of 3)) but saved the rest (about 200 images) to share throughout this month. Those in this post were a new discovery for me: I had never seen these richly magenta-colored flowers on any previous trips, and found them randomly scattered, somewhat hidden, among some red and orange mums I’ll be posting later.

In addition to their hot magenta color, this variant — most likely of Indian Chrysanthemum or Chrysanthemum indicum — has a noteworthy design, which becomes more evident as you scroll down through the views I used when taking the photographs. As the petals radiate from the centers of the flowers, the throat of each petal is pure white, a visual effect that looks a little like spokes of a wheel. If you are a bee, you might see this as a map to the yellow center of the flower: the contrast between magenta and white could lead you to treat this arrangement as a landing strip for the disc florets, the round cluster of yellow flowers where little bees like to forage and pollination wants to occur.

Magenta is fairly common in flowers, though we’ll often find shades of pink, light purple, violet, fuchsia, and related colors mixed throughout a flower we see as (or refer to as) magenta. This particular mum is one of the very few flowers I’ve photographed where Lightroom detects magenta only (other than white) among the flower petal colors. Many of the flowers in the three previous posts I linked to above appear to be similarly colored, but in those Lightroom also detects purple, red, and splashes of blue along with magenta — which is what I usually find among flowers displaying magenta-like colors.

If I analyze the colors more closely with something like the ColorSlurp utility, the same thing happens, though this tool identifies the color as heliotrope magentaheliotrope being a color that has a cultural history of its own. Heliotrope’s Victorian background is described in The Secret Lives of Color by Kassia St. Clair, where the author explains how it came to be used as a color of mourning in the late 1800s, representing later stages of mourning or to show respect for more distant relatives for whom black mourning colors were considered too stark. I supposed it’s no surprise, then, that I found these among the monuments at Oakland Cemetery’s gardens — though I can’t help but wonder if their placement there was as an intentional remembrance, or if someone just liked the rich color and spoke-wheel design.

Thanks for reading and taking a look!










Pink Daisies, Pink Mums (3 of 3)

From “Worcester: The Canal” in Under the Cliff and Other Poems by Geoffrey Grigson:

The autumn daisies dipped in the wind
In the olive water,
Oil patches, like a marbled fly-leaf,
Turned in the wind, on the water.

A swan; and the black, elegant bridge,
Like a theorem, over
The canal and the towpath: a circle
Over an arch, by a great arch.

And a black engine on the bridge, named
As a Princess, smoking. Rusty
Galvanised over the coffin yard,
A man passing with leeks….


Hello!

This is the third of three posts with photographs of Persian (or Painted) Daisies (Tanacetum coccineum) and mums (Chrysanthemum zawadzkii). The first post — where I also wrote about the significance of mums and daisies at Victorian garden cemeteries — is Pink Daisies, Pink Mums (1 of 3); and the second post is Pink Daisies, Pink Mums (2 of 3).

Here we are on the last day of November (how did THAT happen?), right on the cusp of starting the month of curiosities and baubles, clouds of glitter, and the lights and candles we use to ward off winter darkness. For my part, I’ve engaged the services of my decorating assistant — The Small Dog — who supervised the work yesterday as I untangled the first of two strings of 900 (three sets of 300 each) lights and began shoving them into the Christmas tree. You can just barely see his head peaking around the wall in the first image, but the more I swore at the lights to encourage them to straighten out, the more interested he got!










Pink Daisies, Pink Mums (2 of 3)

From “Sensory” by Marian Harmon in The Best Poems of the 90s, edited by Caroline Sullivan and Cynthia Stevens:

Eyes to photo flights of hummingbirds
As television lions mate, Vesuvius explodes.
Eyes to read the shape of breasts that swell
And turn to milk for one as yet unborn.

Tongues to taste new kernel corn
The bite of dill,
The sweet bright mouth of love.

Ears to hear the measured paragraphs of Bach
The stamping of the tiny hooves of deer.
Unfinished words that slither into nibbled cries.

Nose that knows delight in spring verbena,
Summer phlox and autumn mums,
The perfumed sweat that rises with my touch.

Yet all those wonders fade, become as garden weeds,
Or dust on lamps
When you no longer share
The scents, the sounds, the tastes,
The beating of my wings.


Hello!

This is the second of three posts with photographs of Persian (or Painted) Daisies (Tanacetum coccineum) and mums (Chrysanthemum zawadzkii) — all in shades of pink, starting with saturated blends of pink, purple, and magenta followed by those that are more purely pink. The first post — where I also wrote about the significance of mums and daisies at Victorian garden cemeteries — is Pink Daisies, Pink Mums (1 of 3).

Thanks for taking a look!