With warmer temperatures, more sun, and periodic spring rains, all the hostas are on the move! The images below are from the first of four galleries, where I’ve tried to capture my own fascination with the color variations, shapes, lines, and textures of new hosta leaves appearing in my garden. Some of these hostas were featured as new buds here: Wordless Wednesday: Hosta Babies; and my Fire Island Hosta’s early growth is here: Fire Island Hosta: Seven Views.
Select the first image to begin a slideshow; thanks for looking!
With the photos in the gallery below, I may have captured the last of the luminous colors appearing on my catawba grapevine, at least for Spring 2019. I took these pictures about a week after the first set, and the emerging shoots and leaves have doubled in size. Now, however — with another few sunny days having passed — most of the purple and magenta color has turned into green with splashes of yellow: the colors of the mature vine. The shapes of the shoots fascinate me, though, so there may be a Round Three gallery … and more!
I got insect-photobombed when taking these pictures; I didn’t notice until I was processing the photos in Lightroom that there was a tiny spider hanging out on the vine. The spider is in two of the photos, but I’m not telling which ones: you’ll have to look closely and find it for yourself. 🙂
Thanks for looking! I hope spring is springing for you too!
A couple of weeks ago, I aimed a macro lens at some new leaves on my catawba grapevine and saw an unusual range of colors in its tiny shoots. I’ve only had the vine for about three years, and this may have been the first time I took a close-up look at it this early in the spring. Much of its orange, purple, and magenta color luminance — that you can see in the images here — is still apparent as the leaves grow, and I’m working on another set or two of similar photos. The vine made an appearance here last June in this post: Secrets Inside a Grapevine.
This is only the third time I’ve tried to convert a gallery of photos from color to black and white in Lightroom; for this set I used the same approach I took in my previous two attempts:
This kind of black-and-white conversion makes the images more abstract, where the main subject takes on prominence while the backgrounds — originally consisting of softly focused and desaturated colors — fade even further toward insignificance, barely suggesting context or placement for the subject. These three screenshots, from Lightroom, show my typical adjustments:
I find it challenging to decide, with black-and-white processing, when I’m actually finished with the images. With color, there’s always a point where I feel like “I’m done” … but with black and white, I’m still learning how to recognize that shift. This is where I ended out; here are the final versions of the eleven converted photos:
If you would like to compare the color and black-and-white versions, select the first image below to begin a slideshow.