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Exploring Architectural Photography: Steel and Stained Glass (3 of 3)

Exploring Architectural Photography: Steel and Stained Glass (3 of 3)

Here is the third of three posts featuring photos of bronze, steel, and stained glass, part of my Exploring Architectural Photography series from Oakland Cemetery.

These first three images are the last ones (for now, anyway) that I took from outside mausoleums:

On many of the older mausoleums, the stained glass windows are covered on their exteriors with sheets of plexiglass … a good thing for protecting the glass, of course, but not so good for the photographer since plexiglass fades and discolors over time, captures a lot of dust and dirt, and blurs the window colors. I had to find different strategies for the images in this gallery, so either used the doors as foreground frames for the stained glass windows (the first six photos), or stuck my lens through openings in the doors and captured only part of the window (the last two photos). Typically the lens wouldn’t fit through the door elements, though, or was impossible to turn right or left if I got it through — which is why there are six photos using the first approach and only two using the second one. With some bright mid-morning sunlight, however, the windows glowed nicely from the outside-looking-in and highlighted a lot of their color and detail.

I haven’t done a Before-and-After article in a while, so I’ve picked some of the images from this post to write about how they were taken, and mostly, how I processed them in Lightroom. Here’s a hint: the before versions of four of the images above, that I transformed substantially to create something I was satisfied with. I’m working on that post now and will likely publish it by the end of the week.

Thanks for taking a look!

The previous posts in this series are:

Exploring Architectural Photography: Dated Doors and Their Hardware

Exploring Architectural Photography: Steel and Stained Glass (1 of 3)

Exploring Architectural Photography: Steel and Stained Glass (2 of 3)

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