From “Structure” and “Tonal Nuance” in Black & White Photography by Michael Freeman:
“Image possibilities that contain a strong potential for structure notably include elements of line and shape, almost always heightened by some form of contrast….
“Black and white enhances these possibilities by taking away the distraction of colour, forcing more attention on the contrast across edges….
“Physiologically, our visual system responds more sensitively to some hues than to others, which is why yellows and yellow-greens are brighter to our eyes. But more than this, there is our psychological response to different hues. One simple example of this is that ‘hot’ colours around orange are readily associated with flame and burning, and also the production of light. Most people feel these to be inherently brighter than, say, blues, which we tend to associate with water, coolness, and dim light.
“Take this away, and the tonal scale simplifies dramatically. What this allows is a clearer, purer concentration on the subtleties of transition between shades of gray.”
Hello! A few days ago I posted a some photos of hibernating hydrangea and Japanese maple leaves; here are the same photos, rendered in black and white, and modified with various filters in the Nik Collection to create additional contrast and detail, add a bit of glowing softness, and shift the black-and-white tones to a touch of silver-blue.
At the end of this post, there is a before-and-after gallery, if you would like to compare the color and black-and-white versions.
Thanks for taking a look!
Here are the before-and-after images; select the first one to compare versions in a slideshow.