"Pay attention to the world." -- Susan Sontag
 

Autumn Anemones

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From 100 Flowers and How They Got Their Names by Diana Wells:

“Anemones used to be called ‘windflowers,’ possibly because they grew on windy sites (anemos is Greek for “wind”)….

“A more compelling derivation is from ‘Naamen,’ which is the Persian for ‘Adonis.’ Anemones were associated with Adonis, with whom Aphrodite (Venus) fell passionately in love when he was born. She tried to protect him from harm by hiding him in the underworld, but was forced by Zeus to share him with the underworld goddess, Persephone. Aphrodite was afraid he might be hurt while hunting, but of course he would not listen to her, so she could only follow him in her swan-drawn chariot….

“One day Adonis tracked down a huge boar and wounded it. It turned on him and gored him. Aphrodite arrived in time to hold him in her arms and weep over him as he died. Some versions of the legend say the anemone grew up from her tears and some that it sprang from his blood as it soaked into the ground….”

Well, another Halloween has come and gone, so I cobbled together this quick set of post-spooky photos, mainly to get the Halloween pictures off my home page. Unlike the Christmas and New Year holidays, Halloween doesn’t seem to linger for long; when it’s over, it’s over (and it’s time to put up the Christmas tree!).

I was fortunate to have captured this rare image of The Great Pumpkin (of the Peanuts tradition) after it completed its October to-do list. Here it is, at rest. I know it’s at rest because I saw it swoop in, land upside down on the bale of straw, then close its mouth and eyes. Snoring may even have been heard. While you are possibly wondering how I’m sure it’s THE Great Pumpkin, I can only say: that’s a REALLY good question.

Here we have two pictures of the less-famous Regular Pumpkin. There was no compelling reason for me to post these photos, except that I liked the contrast between pumpkin-orange and its pumpkin shape, and the dark textured background.

We aren’t yet ready to transition to typical fall colors yet, but last week I did find these dainty anemones catching some fall sun-rays. I’m not quite sure which anemone variety these are; they may be snowdrop anemones, they may be more properly identified as generic Japanese anemones. While some varieties do bloom in the fall, these could as easily be spring or summer varieties blooming in autumn since our summer was warm but not scorching, and fall temperatures stayed in the 50-80 degree range until recently. They may have just kept on blooming through all three seasons.

Thanks for taking a look!

Spooky! Spooky!

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From Dracula by Bram Stoker:

“Suddenly, as I turned round, I thought I saw something like a white streak, moving between two dark yew-trees at the side of the churchyard farthest from the tomb…. Then I too moved; but I had to go round headstones and railed-off tombs, and I stumbled over graves. The sky was overcast, and somewhere far off an early cock crew. A little way off, beyond a line of scattered juniper-trees, which marked the pathway to the church, a white, dim figure flitted in the direction of the tomb. The tomb itself was hidden by trees, and I could not see where the figure disappeared….

“The figure stopped, and at the moment a ray of moonlight fell between the masses of driving clouds and showed in startling prominence a dark-haired woman, dressed in the cerements of the grave. We could not see the face, for it was bent down over what we saw to be a fair-haired child. There was a pause and a sharp little cry….”

From The Hunchback of Notre Dame by Victor Hugo:

“The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate….

“He was everywhere about it; in fact, he multiplied himself on all points of the structure…. a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows….

“In some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought… Often at night a hideous form was seen wandering along the frail balustrade of carved lacework… again it was the hunchback of Notre-Dame….

“Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking.”

Room for rent in small Victorian castle. Prime location; quiet residents and neighbors. Some ghosts, mostly harmless. Short walk to Vampire Park…

… and the Gargoyles are ADORABLE!

Happy Halloween!

Autumn Daisies (3 of 3)

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From The Haunting of Hill House by Shirley Jackson:

“Eleanor went alone into the hills above Hill House, not really intending to arrive at any place in particular, not even caring where or how she went, wanting only to be secret and out from under the heavy dark wood of the house. She found a small spot where the grass was soft and dry and lay down, wondering how many years it had been since she had lain on soft grass to be alone to think. Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention….

“Idly Eleanor picked a wild daisy, which died in her fingers, and, lying on the grass, looked up into its dead face. There was nothing in her mind beyond an overwhelming wild happiness. She pulled at the daisy, and wondered, smiling at herself, What am I going to do? What am I going to do?”

From “Hell” in White and Other Tales of Ruin by Tim Lebbon:

“Chele was squatting on her haunches, picking at the lush green grass, sniffing it, running her hands across the bright daisies that grew in profusion between the coach and the trees….

“Dark things darted in the air around her head and she waved them away. I waited for them to attack her, pierce her skin and puncture her insides, but then a couple landed on her arm and they were only flies.”

Halloween approaches, so I was pleased to find a couple of daisy-related references (quoted above) in some spooky stories. My Invisible Man costume has been fetched from the dry cleaners, and I’m all set for my traditional participation in the festivities. I do still have to pick up a few severed heads of broccoli; I normally hack it into florets and dispense them in tiny orange bags. Gotta keep those kids healthy, don’t you think? Maybe I’ll splurge this year and include some dismembered baby carrots and a ranch-dip potion. Or Vampire Beets! Everybody loves Vampire Beets!

For this last post in my series of autumn daisies, I’ve included an example showing how much easier it is now to remove backgrounds from images with the newest release of Adobe Lightroom Classic, version 11. For comparison, see Lilies on Black Backgrounds: A Photo Project (1 of 10), where I describe the detailed (and often tedious) brushing actions required to isolate and change a background to black. With the new version, I can accomplish the same thing with a few mouse clicks.

Here, for example, is a before screenshot of one of the images in the first gallery below, with all my adjustments completed except the background change:

To get started, I first chose “Select Subject” from Lightroom’s local adjustments panel…

… and Lightroom created a mask over what it determined to be the photo’s subject. Lightroom included all four flowers and a bit of the background between the cluster of three and the fourth flower, but that’s okay.

Because I wanted to work on the background rather than the flowers, I then chose “Invert” to flip the mask…

… and Lightroom switched the mask from the foreground to the background.

I decided to exclude the fourth flower from the final image, so I selected “Add” to increase the coverage of the mask and then chose “Brush” to use a brush to do that.

Then I brushed over the fourth flower (swoop-swoop)…

… and, finally, I changed the background to all black by setting these sliders (or using the preset I previously created)…

… and it’s done!

It took way-much longer to write this description than it did to actually make the background changes. And — for this technique that I use so often — there are two huge timesavers. First, Adobe’s mask is consistent throughout the background; meaning, I don’t have to repeatedly brush over certain bright areas to effectively cover them up. And, second, there’s no need for me to zoom in and out to carefully brush around the flower petals manually — which was the most time consuming step in creating these masks in the olden days of… last week!

Occasionally, if the subject is a little fuzzy around the edges or the background at those edges is of similar brightness, I’ll make a few additional adjustments with the brush. But wherever there’s decent contrast between subject and background, that’s unnecessary. For the photos in these galleries, the only image that took a little extra effort was the fourth one below, the cluster of seventeen white daisies now floating on black. All the others were 1-2-3-done!

If you would like to learn more about Adobe’s new Lightroom masking functions, I included links to their help documentation in the first post in this series: Autumn Daisies (1 of 3).

Thanks for taking a look!