"Pay attention to the world." -- Susan Sontag
 

Four Days To Christmas: Winter Solstice

From On Looking: A Walker’s Guide to the Art of Observation by Alexandra Horowitz:

“It was December twenty-first, the winter solstice. The business of being a pedestrian in the city had changed: any mosey that crept into people’s summer gait had been replaced by the determined fast stride of the winter walker. It was cold out, and I hunched my shoulders in a futile attempt to warm my ears and bully the chill away.”

From Winter Sunshine by John Burroughs:

“[It] may be later in the season, well into December. The days are equally bright, but a little more rugged. The mornings are ushered in by an immense spectrum thrown upon the eastern sky. A broad bar of red and orange lies along the low horizon, surmounted by an expanse of color in which green struggles with yellow and blue with green half the way to the zenith. By and by the red and orange spread upward and grow dim, the spectrum fades, and the sky becomes suffused with yellow white light…”

Autumn in Atlanta: Photo Mash-Up #7

From Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees by Nancy Ross Hugo:

“Red leaves deserve special attention, because their color results from chemical changes a bit different from those coloring other leaves. Most of us know that shorter days result in less chlorophyll and thus less green color in leaves. Unmasked by green, the yellows and oranges in leaves are more visible to us. But there’s something else going on with reds and purples. The same pigment that puts the red in apples and cherries is produced under some conditions in the leaves of some trees, like maples. The pigment is anthocyanin, and its production depends on sunlight, rainfall, and weather, unlike the chemicals responsible for yellow, gold, and orange coloration, which remain more or less consistent from year to year. Cool (but not freezing) nights and sunny days favor anthocyanin production, so some years the fall foliage will be redder than in others.”

This is the seventh post in my autumn series of new photos from Oakland Cemetery. For the galleries below, I assembled images where red is the dominant color, including these nandina that had produced large clusters of orange and red berries. I took these in mid- or late-November; it seems that the berry clusters spraying from the center of each plant deepen in color as fall progresses, and the leaves — since we’ve had only a couple of days of below freezing weather — are still going strong.

Here are a few isolated red subjects. I only got a couple usable shots of the grasses in the second row — with tiny seedlings turning from light red toward burgundy — as the slightest breeze threw them out of focus. But I was glad to get these two since the plants aren’t very hardy and have since withered away with later fall.

These are all photos from the same maple tree, where I spent an hour or so trying out different combinations of lighting and backgrounds, including some backgrounds that were lit brightly enough to create a bit of dissonance between the way we normally see foregrounds versus backgrounds. I might try some more experiments like that; it’s a fun challenge to get the right levels of light and shadow in the image (they tend to look blown out in the camera) so that you can (sort of) reverse the relationships between front and back in Lightroom.

This is a somewhat random collection of reds, plants and trees on different parts of the cemetery property, with a few backlit subjects in the middle of the gallery. The last image is my favorite; the contrasting reds and greens reminded me of a poinsettia, and transitioning from autumn to the Christmas holidays.

My previous autumn 2019 photo mash-ups, and a few other posts with new fall color photos, are here:

Autumn in Atlanta: Photo Mash-Up #1

Autumn in Atlanta: Photo Mash-Up #2

Autumn in Atlanta: Photo Mash-Up #3

Autumn in Atlanta: Photo Mash-Up #4

Autumn in Atlanta: Photo Mash-Up #5

Autumn in Atlanta: Photo Mash-Up #6

Four Small Signs of Early Fall

More Small Signs of Early Fall

Even More Small Signs of Early Fall

Autumn Tints at Twilight

Burnt Orange and Singed Pumpkin

Thanks for reading and taking a look!

Autumn in Atlanta: Photo Mash-Up #6

From Seeing Trees: Discover the Extraordinary Secrets of Everyday Trees by Nancy Ross Hugo:

“Most of us know that shorter days result in less chlorophyll and thus less green color in leaves. Unmasked by green, the yellows and oranges in leaves are more visible to us.”

This is the sixth post in my autumn series of new photos from Oakland Cemetery. In the previous one, Autumn in Atlanta: Photo Mash-Up #5, I mentioned that I had separated some of the remaining photos by color into two sets of galleries, one set where orange is the dominant color and one set where red dominates. I’m still working on the red photos; below are the orange galleries.

The last three photos in this first gallery aptly demonstrate what’s described in the quote above from Seeing Trees: the gradual decrease in chlorophyl that comes with shorter fall days, to reveal orange replacing green in the color of the leaves. I didn’t know until I researched it a bit, that autumn orange (and yellow) color variations are created by this different mechanism from reds — which require the production of a specific chemical (anthocyanin).

Orange color — leaning toward red — was especially intense in the first two photos in this gallery; the remaining photos show variations in yellow-to-orange on different days and in the shadows of several larger trees nearby.

These seven photos take advantage of backlighting on a very sunny day, which gives the leaves a glow but with a brightness level that tends to blow out detail in the camera and in the unprocessed RAW file. In Lightroom, I’m able to recover much of the detail by reducing highlights as far as possible using Lightroom’s basic develop settings, using a graduated filter across the entire image to reduce highlights a second time, then adjusting whites, blacks, and (especially) shadows to add color and brightness back without blowing out the highlights again. These changes help emphasize the foreground colors while keeping the sense that the leaves are glowing in the sun.

My previous autumn 2019 photo mash-ups, and a few other posts with new fall color photos, are here:

Autumn in Atlanta: Photo Mash-Up #1

Autumn in Atlanta: Photo Mash-Up #2

Autumn in Atlanta: Photo Mash-Up #3

Autumn in Atlanta: Photo Mash-Up #4

Autumn in Atlanta: Photo Mash-Up #5

Four Small Signs of Early Fall

More Small Signs of Early Fall

Even More Small Signs of Early Fall

Autumn Tints at Twilight

Burnt Orange and Singed Pumpkin

Thanks for reading and taking a look!