Category: photography

From Why Was the Partridge in the Pear Tree?: The History of Christmas Carols by Reverend Mark Lawson-Jones:

“As winter approaches and the days get shorter and darker, the shops and streets begin to fill with Christmas decorations and lights, and before we have managed to think of cards and presents, we start hearing Christmas carols all around us — on the radio, in TV commercials and as we shop in the supermarket. Christmas carols have become part of our culture and carol services are still popular in our churches and cathedrals….

“Carols were first sung in Europe thousands of years ago, although they were pagan songs and people danced as they sang and celebrated the Winter Solstice feast, the shortest day of the year.”

From “An Offering to the Elves” in The Old Magic of Christmas by Linda Raedisch:

“[Elves] are bearers of light, so if you cannot manage a full moon for your feast, a waxing crescent is better than a waning three-quarter moon.

“They have left their usual haunts and howes in order to join you, so greet them warmly.

“You don’t know how far some of them may have come in space or time, so it’s a good idea to turn off the television and most electric lights, which the oldest of the company may find glaring. If you have a fireplace, make a fire. Otherwise, light plenty of candles.”

From “Take Something Like a Star” in Complete Poems of Robert Frost by Robert Frost:

O Star (the fairest one in sight),
We grant your loftiness the right
To some obscurity of cloud —
It will not do to say of night,
Since dark is what brings out your light.

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From “A Hearty Christmas Greeting” in Vintage Christmas Traditions edited by Linda Davies:

“We don’t associate Christmas with frogs today, [but] the verse on this Victorian card comes with a strict lesson:

Four jovial Froggies a skating would go;
They asked their mamma,
But she’d sternly said, ‘No!’
And they all came to grief in a beautiful row.
There’s a sweet Christmas moral for one not too slow.
Just so!”

From Christmas: A Biography by Judith Flanders:

“In the 1880s German-imported ‘dresdens’ came into fashion, embossed boxes of pressed cardboard, lacquered to look like polished metal, in shapes that included ‘dogs, cats, suns, moons… frogs, turtles… a whole sea full of fish… a virtual zoo of exotic creatures, including polar bears, camels, storks, eagles and peacocks’, as well as items from the modern world: bicycles, skates, sleds and ships. Unlike the cornucopias, dresdens were luxury items, many costing more than their contents: in 1882, golden dresdens shaped like angels cost a whopping 12¢ each.”

From “A True Tale” by John Berwick Harwood in The Valancourt Book of Victorian Christmas Ghost Stories, edited by Tara Moore:

“After a short pause my aunt took her part in the conversation, and we found ourselves listening to a weird legend which the old lady told exceedingly well. One tale led to another. Every one was called on in turn to contribute to the public entertainment, and story after story, always relating to demonology and witchcraft, succeeded. It was Christmas, the season for such tales; and the old room, with its dusky walls and pictures, and vaulted roof, drinking up the light so greedily, seemed just fitted to give effect to such legendary lore….

“The huge logs crackled and burnt with glowing warmth; the blood-red glare of the Yule log flashed on the faces of the listeners and narrator, on the portraits, and the holly wreathed about their frames, and the upright old dame in her antiquated dress and trinkets, like one of the originals of the pictures stepped from the canvas to join our circle. It threw a shimmering lustre of an ominously ruddy hue upon the oaken panels. No wonder that the ghost and goblin stories had a new zest….”

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From “A Country Christmas” by Louisa May Alcott in A Vintage Christmas: A Collection of Classic Stories and Poems:

“It was very lovely on the hill, for far as the eye could reach lay the wintry landscape sparkling with the brief beauty of sunshine on virgin snow. Pines sighed overhead, hardy birds flitted to and fro, and in all the trodden spots rose the little spires of evergreen ready for its Christmas duty. Deeper in the wood sounded the measured ring of axes, the crash of falling trees, while the red shirts of the men added color to the scene, and a fresh wind brought the aromatic breath of newly cloven hemlock and pine.”

From “The Second of the Three Spirits” in A Christmas Carol and Other Writings by Charles Dickens:

“It was a strange figure — like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare….

“It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible….”

From “The Preparation” in The Victorian Christmas Book by Antony Miall:

“In medieval times the following significance was given to colour: White was emblematical of light, purity, virginity, faith, joy, and life. Carmine red, of Christ’s passion and death, of royalty, of the Holy Spirit, and of fire. Blue of truth, constancy, piety. Dark red, of anger, war, and bloodshed. Gold and bright yellow, of the sun, of brightness, marriage, and fruitfulness. Dingy yellow, of deceit and jealousy. Green, of hope, of spring, prosperity, victory, immortality. Violet, of love, truth, humility, passion, and suffering. Black, of death, mourning, humiliation; also of the earth….

“Blue with gold stars, of heaven….”

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