Category: photography and imagery

From “Nature” in The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“[The] simple perception of natural forms is a delight. The influence of the forms and actions in nature is so needful to man, that, in its lowest functions, it seems to lie on the confines of commodity and beauty. To the body and mind which have been cramped by noxious work or company, nature is medicinal and restores their tone….

“[Nature] satisfies by its loveliness, and without any mixture of corporeal benefit. I see the spectacle of morning from the hilltop over against my house, from daybreak to sunrise, with emotions which an angel might share….

“Not less excellent, except for our less susceptibility in the afternoon, was the charm, last evening, of a January sunset. The western clouds divided and subdivided themselves into pink flakes modulated with tints of unspeakable softness, and the air had so much life and sweetness that it was a pain to come within doors…. The leafless trees become spires of flame in the sunset, with the blue east for their background, and the stars of the dead calices of flowers, and every withered stem and stubble rimed with frost, contribute something to the mute music.”

“The simple perception of natural forms is a delight.” — very true, isn’t it? This is, I think, one of the main reasons I return again and again to photographing plants, flowers, and trees: these subjects give back so much in terms of contemplation of their shapes and colors, and the acts of searching, finding, and photographing them always puts me in a kind of creative flow that pretty much blots out anything else going on or on my mind. And there’s something else that I didn’t appreciate until I spent so much time over the past few years learning post-processing tools like Lightroom: at their best, such tools not only extend the creative act but also enhance the experience of studying natural forms in close-up detail.

It’s not unusual for me to return from a photoshoot with three hundred photographs, and — since my general rule is to expect to keep only about ten percent of what I shoot — the work (it’s not really work) of whittling down to thirty or forty images means I spend a lot of time examining structure, noticing how light strikes different shapes, textures, and colors, and figuring out which ones will satisfy me the most as I alter them in development. One of the most time-consuming post-processing tasks — spot removal — often feels like drudgery but can still be fascinating as I try to match patterns and colors from one section of a leaf, petal, or branch to another, while reducing the appearance of damage or blight.

For this post, I picked five photos from the previous post (see Winter Color at January’s End (1 of 2)), and created three variations. For the first gallery below, I painted the backgrounds black (as I often do); then, for the second gallery, converted those same photos to black-and-white (with a bit of silver-blue toning). For the third gallery, I took the five color photos from the first gallery and created soft, glowy versions — for no reason other than I wanted to see if I could use Lightroom’s local adjustments (mainly radial filters in this case) to create effects similar to the soft-focus filters available in the Nik Collection. The results were perhaps not unsuccessful! 🙂

The last photo is of an airplane and its contrail — and came about when I was experimenting with the 100-300mm lens I wrote about previously, just taking pictures of clouds on a blue-sky winter day. It was the only one that I liked and kept; all the rest were blurry since I wasn’t used to the lens yet. If the image looks a little mottled to you (since WordPress reduces the overall quality when resizing thumbnails for galleries), try this full-sized version where the sky should be a nice, smooth light blue.

Thanks for reading and taking a look!

Bye January!

From “Nature” in The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“The inhabitants of cities suppose that the country landscape is pleasant only half the year. I please myself with the graces of the winter scenery, and believe that we are as much touched by it as by the genial influences of summer….

“To the attentive eye, each moment of the year has its own beauty, and in the same field, it beholds, every hour, a picture which was never seen before and which shall never be seen again. The heavens change every moment, and reflect their glory or gloom on the plains beneath.”

From “Wild Peaches” by Elinor Wylie in Three Centuries of American Poetry edited by Allen Mandelbaum and Robert D. Richardson:

“The spring begins before the winter’s over.”

As we approach the end of January, I’ve posted a few photos taken during the unseasonably warm first half of the month (the unseasonable warmness didn’t last), where I found surprising bits of color among the more muted tones of winter.

The mahonia (in the second gallery below) was a striking mix of winter and spring, with yellow flower clusters growing among green leaves, surrounded by other leaves that apparently felt the cold more and had turned deep purple. I also found a rare pair of yellow daffodils, looking a little tentative but nevertheless quite adorable in their willingness to sneak out of the ground this time of year. And the two roses — southern roses are pretty resilient — seemed unaware that a cold snap was on the way, even though their stems were mottled and faded as they tend to get when the nights are cool. I guess they might have been thinking that winter was just an illusion….

Thanks for taking a look!

From “The Journal of Henry David Thoreau” in The Complete Works of Henry David Thoreau by Henry David Thoreau:

“[Dec. 26, 1855] After snow, rain, and hail yesterday and last night, we have this morning quite a glaze, there being at last an inch or two of crusted snow on the ground, the most we have had. The sun comes out at 9 A. M. and lights up the ice-incrusted trees, but it is pretty warm and the ice rapidly melts. I go to Walden via the almshouse and up the railroad….

“Trees seen in the west against the dark cloud, the sun shining on them, are perfectly white as frostwork, and their outlines very perfectly and distinctly revealed, great wisps that they are and ghosts of trees, with recurved twigs….”

From The Selected Writings of Ralph Waldo Emerson by Ralph Waldo Emerson:

“[The] Will-of-the-wisp vanishes if you go too near, vanishes if you go too far, and only blazes at one angle.”

Continuing with some additional studies of winter shapes (see also Winter Shapes: Hydrangeas and Japanese Maple Leaves and Winter Shapes: Hydrangeas and Japanese Maple Leaves in Black and White), here is a random collection of tiny leaves, stems, and vines — followed by a set of five images of goldenrod rendered on black, followed at the end by lucky shots of resting bird that spread its wings and took off just as I pressed the camera’s shutter.

Thanks for taking a look!