"Pay attention to the world." -- Susan Sontag
 

Spanish Bluebells, Fine and Subtle

From “Spanish Bluebells” in Garden Bulbs for the South by Scott Ogden:

“The flower that comes to mind for most Southerners when squill is mentioned is the Spanish bluebell or wood hyacinth. Although long known in garden literature as Scilla campanulata, botanists have shuffled these poor flowers about, first to the genus Endymion, and more recently to an uncomfortable resting place with the alliterative appellation Hyacinthoides hispanica.

“None of these names do justice to the stately spikes of wisteria-blue that blossom in April gardens. The unscented, bell-shaped flowers of the Spanish bluebell hang down from twelve- to sixteen-inch stalks. Their thrifty bulbs seed and multiply in lavish pools, which spread out under the trees. This old Southern favorite is one of the finest spring bulbs for naturalizing in woodland, and will even succeed in the dark shade under live oaks. The round, white bulbs are happy anywhere they receive ample spring moisture. They have been popular since Elizabethan times and came to the South with the earliest settlers.

“In addition to the common sky-blue strain of the species, there are several fine selections of Spanish bluebells with darker violet, pink, or white flowers. Nurseries sometimes offer these in a mix, but such combinations are best avoided or quickly separated following bloom, as the various colors combine in a gaudy pattern. Although beautiful, the related English bluebell (
Hyacinthoides non-scripta) needs cooler, damper conditions than the South can provide.”

From “Spring Comes in February” in A Southern Garden: A Handbook for the Middle South by Elizabeth Lawrence: 

“The squills are companions to the tulips, the large late-flowering types blooming along from the end of March to the end of April. They bloom well under all conditions and present no difficulties. The Spanish bluebells, Scilla hispanica, bloom in all degrees of shade, also in full sun, and in any kind of soil. They are in delicate tints of lilac and blue-violet, and are particularly useful in white. These are among the first of the flowers that give much and ask little….”

From “The Bluebell” by Anne Bronte in The Complete Poems of Anne Bronte, edited by Clement Shorter:

A fine and subtle spirit dwells
In every little flower,
Each one its own sweet feeling breathes
With more or less of power.

There is a silent eloquence
In every wild bluebell,

That fills my softened heart with bliss
That words could never tell.

Yet I recall, not long ago,
A bright and sunny day:
‘Twas when I led a toilsome life
So many leagues away.

That day along a sunny road
All carelessly I strayed
Between two banks where smiling flowers
Their varied hues displayed….


Hello!

Here we have a collection of Bluebell photographs that I shot at Oakland Cemetery on March 30. When I passed some of my photos through PlantNet to identify the species, the site provided three probable scientific names: Hyacinthoides non-scripta (English or Common Bluebell), Hyacinthoides hispanica (Spanish Bluebell), and Hyacinthoides ร— massartiana (an English and Spanish Bluebell hybrid). With the above excerpts from Garden Bulbs for the South and A Southern Garden in mind, though, I’ve decided these are Spanish Bluebells, given their growing environment (a large open field with normal to dry soil conditions); their height (many stems a foot tall or taller); and their colors (a blend of blue and violet, sometimes translucent enough to approach white). The blended colors especially became important to their identification when I was working on them in Lightroom, where the presence of purple and violet (and not just blue) became very apparent, in the same way those two colors are more evident in my photos where the sunlight was brighter.

This is only the second time Bluebells have posed for me. The first time was in 2024 (see Blooming Bluebells) where I photographed them mostly at the base of a gigantic Water Oak, where they’re still thriving…

… and where they’ve expanded to nearby areas along a wooded and azalea’d path, producing some lovely color contrasts with the azalea’s pink, and some texture contrasts with another smaller Water Oak.

They’re also moving into new territory either on their own or by intentional planting (or a little of both) as they’re now growing far from their original oak tree location and spreading into the rest of the field, whose characteristics and layout I described in a previous post, Ambitious Spring Snowflakes (Leucojum vernum) (3 of 3).

Given the consistent spacing between many of the plants, I think I can speculate that Oakland’s landscapers may be attempting to fill this entire corner of the field with Bluebells — so we’ll keep an eye on it because an unbroken sea of Bluebells every March would be a visually epic addition to the gardens and to this corner of that field.

You may have noticed that the two book excerpts above use the word “squills” to describe Bluebells. This was a new word to me, one I feel like I could have made up; yet it turns out it has ancient Greek and Latin roots, becoming part of early European botanical literature in such writings as those of herbalist and botanist John Gerard. It was later used as a substitute for the plant genus Scilla, under which the Spanish Bluebell was once known as Scilla hispanica; and is often associated with the botanically and medically significant Sea Squill (Drimia maritima) — a plant in the same family (Asparagaceae) as Bluebells. I still might make up my own definition for “squill” and use it inappropriately, because I like how it sounds when you say it out loud.

Thanks for reading and taking a look!











Blooming Bluebells

From “Jottings in the Churchyard at Ragaz” in Poems 1906-1926 by Rainer Maria Rilke, translated by J. B. Leishman:

Think of brightness through the foliage streaming
down into the shade where breezes blow…:
how in that strange light’s ethereal gleaming,
scarcely swung, will stand some single-seeming,
tall-grown bluebell, far below….

From “Derbyshire Bluebells” in Selected Poems by Sacheverell Sitwell:

The wood is one blue flame of love,
It trembles with the thrush and dove;
Who is this honey beacon for,
That burns this once, then never more?
Whose lutes hide in the young green leaves?
Who sorrows here when no one grieves?

The misty spaces in the boughs,
No shouts will fill, no stone will rouse
If at those panes we beat in vain
Why hope to quench that fire with rain?
Why beat the bluebells down to find
How fire and honey are combined?

There is no space for foot to tread
Unless you bruise the flower head,
No corner where you cannot hear
The dove’s long croon, the thrush sing near,
Like bells out of the trees’ tall spires
These songs above the bluebell fires….

From “English Bluebells” in The Story of Flowers and How They Changed the Way We Live by Noel Kingsbury:

“Going to visit the bluebells has been a tradition for many [British] families for more than a century, mainly in their stronghold of southeastern England. Starting just as spring is turning into summer, the flowers can turn woodlands into lakes of blue that in some cases seem to reach as far as the density of tree growth allows us to see….

“Historical records of bluebells are relatively few and far between, and the plant was known to our ancestors more as a source of starch for stiffening the ruffs worn by the wealthy of Elizabethan England than as something to admire. It was not until the nineteenth century that writers took much notice of it, and gardeners too. Small patches of bluebells are rather unimpressive, and it is no surprise that the larger, and paler, Spanish bluebell,
H. hispanica, makes a better garden plant. Finally, it is worth noting that the common name is an English designation. For the Scots the bluebell is Campanula rotundifolia; for the Americans it is Mertensia virginica; and Nigerians and New Zealanders have their own, totally unrelated, โ€˜bluebellsโ€™ too.”


Hello!

Below is a small collection of bluebell photographs, taken at Oakland Cemetery’s Gardens last month. While not as impressive a display as those of the English woodlands that Noel Kingsbury describes above, they were still quite adorable growing in sandy soil at the base of an ancient oak tree near the garden entrance, with a few peeking through the seat of an old wrought iron bench nearby.

Thanks for taking a look!