"Pay attention to the world." -- Susan Sontag
 

Autumn Yellow, Autumn Orange (2 of 2)

From Becoming Animal: An Earthly Cosmology by David Abram:

“There are … the winds of autumn, those that whirl through the streets tearing the dry, ruddy-brown leaves from their moorings. Alive with the scents of fallen fruit and soil and smoke, the autumn wind teases our nostrils as it whooshes past, scattering the humped piles of carefully raked leaves, mingling their constituents with other leaves spiraling down from the branches…

“Our bodies witness this gradual release of leaves, this stripping away of color from the gray, skeletal limbs, and cannot help but feel that the animating life of things is slipping off into the air — that the wind moaning in our ears is composed of innumerable spirits leaving their visible bodies behind….

“The wind is haunted, alive. Only in this liminal season, before the onset of winter, does the wild psyche of the land assert itself so vividly that even the most rational persons find themselves lost, now and then, in the uncanny depths of the sensuous….”


Hello!

Below are a few images from my previous post — Autumn Yellow, Autumn Orange (1 of 2) — with their backgrounds converted to black. Yellow on black, orange on black …. hmmmmmm, gorgeous!

Click this link if you would like to see my previous fall color posts for this year:

Autumn 2021

Thanks for lookin’!



Autumn Yellow, Autumn Orange (1 of 2)

From October, or Autumnal Tints by Henry David Thoreau:

“As I go across a meadow directly towards a low rising ground this bright afternoon, I see, some fifty rods off toward the sun the top of a Maple swamp just appearing over the sheeny russet edge of the hill, a stripe apparently twenty rods long by ten feet deep, of the most intensely brilliant scarlet, orange and yellow equal to any flowers or fruits, or any tints ever painted….

“As I advance, lowering the edge of the hill which makes the firm foreground or lower frame of the picture, the depth of the brilliant grove revealed steadily increases, suggesting that the whole of the enclosed valley is filled with such color.”


Hello!

This is the first of a pair of posts featuring yellow and orange fall colors. They tend to be my favorite colors to photograph and post-process this time of year, as both are bright in shade or sun, and both create nice sharp contrasts with the backgrounds they appear in. More muted than the reds that also fill the autumn landscape, my eye or my camera or both always seem drawn to these color variations. With the reds it always seems harder to isolate individual leaves and branches and produce colors I’m satisfied with in Lightroom, but the yellows and oranges — woohoo!

🙂

If you would like to see my previous fall color posts for this year, they’re all organized under this tag:

Autumn 2021

Thanks for taking a look!








Painted Leaves and Branches

From “The Sugar Maple” in October, or Autumnal Tints by Henry David Thoreau:

“Think how much the eyes of painters of all kinds, and of manufacturers of cloth and paper, and paper-stainers, and countless others, are to be educated by these autumnal colors….

“The stationer’s envelopes may be of very various tints, yet not so various as those of the leaves of a single tree. If you want a different shade or tint of a particular color, you have only to look further within or without the tree or the wood. These leaves are not many dipped in one dye, as at the dye-house, but they are dyed in light of infinitely various degrees of strength, and left to set and dry there.”


Continuing with some autumn-color photography … here’s a collection featuring images of isolated leaves that turned early, mostly at the tips of branches, still hanging on in mid-November … but probably not for long.

🙂

If you would like to see my previous fall color posts for this year (you might have missed one!), they’re all organized under the same tag, this one:

Autumn 2021

Thanks for taking a look!