“Under Owl’s supervision, the work began. The sparrows flew to town and found spools of red and green thread with which to string the decorations. The squirrels gathered nuts and polished them with their little paws until they shone silver and gold.
“The raccoons picked red berries and pine cones and strung them into long, loopy chains. Meanwhile the cardinals and blue jays and other brightly colored birds found all the feathers they had lost and, using their nest-building skills, wove them into ornaments with their agile beaks. The deer and elk helped, too, fetching branches of holly from the forest meadows.
“One by one, the animals hung these decorations on the towering blue spruce. At last, the tree was ready. The animals gathered together to admire their handiwork.
“Their tree had no glass balls or lights like those on other Christmas trees, yet it was no less beautiful without them. From bottom to top, the great spruce glimmered with bright berries, tufts of feathers, colorful dried leaves and flowers, and gold and silver nuts. At the very tip top was a snow-white star made from wild swan feathers, and around the bottom Owl (who prided himself on being able to read and write) had carefully arranged holly branches to spell out the words:
“Deep in the winter night, the family will come one by one, carrying great and small boxes, brilliant in all colors, ribboned in red and green, silver and gold, bright blue, placing them under me with the hands of their hearts, until all around me they are piled high, climbing up into my branches, spilling over onto the floor about me.
“In the early morning, with all my candles burning and all my brilliant colors standing out and twinkling in their light, the children in their pajamas and woolen slippers rub their sleeping eyes and stare at me in amazement….
“In the evening, the people stand around me and, looking at me, with their faces shining in my light, they sing and sing, their wishes and joy clambering up into and through my branches, filling the room up to the very roof, passing out into the night and the snow, fainter and fainter….
“In the final stillness the mouse creeps out, hurries across the floor and under my branches, searching and nosing, brushing the branches gently, finding crumbs, secure in the silence of the Christmas night and sharing what comes to all creatures… for I am the Christmas tree.”
Wynken, Blynken, and Nod one night Sailed off in a wooden shoe, Sailed on a river of crystal light Into a sea of dew. “Where are you going, and what do you wish?” The old Moon asked the three. “We have come to fish for the herring fish That live in this beautiful sea; Nets of silver and gold have we,” Said Wynken, Blynken, and Nod.
Then peace was spread throughout the land; The lion fed beside the lamb; And with the kid, To pastures led, The spotted leopard fed In peace, in peace The calf and bear, The wolf and lamb reposed together there.
As shepherds watched their flocks by night, An angel brighter than the sun Appeared in air, And gently said, “Fear not, be not afraid, Behold, behold, Beneath your eyes, Earth has become a smiling Paradise.”
Back by popular demand (!!), here is the first post in 2023’s “Ten Days to Christmas” series, a series that I started a few years ago — originally beginning two days too late to name it after the more well-known and traditional moniker “Twelve Days of Christmas.” I started it in 2019, as a way of learning more about photography, trying new setups and experiments as each year’s project progressed. For those unfamiliar (or those feeling nostalgic), here are links to posts with all the photos in the previous years’ series:
Christmas baubles, glittery whatnots, and holiday lights are great subjects for photography experiments, fun and suitably challenging. You can learn a lot about lighting, depth of field, color, and exposure; and — as you can see in the second trio of photographs below — sometimes you can just unfocus the camera and work with whatever you get!
Each year I add one or two items to my photography gear to help with this project. In 2020, for example, I bought an inexpensive boom to hold foil wrapping paper as backgrounds; and the next year, I bought studio lights and stands to hike up my glitter game. You can seem them both in use below, in a photo I took showing the process of taking photos, last year.
I’ve also been using star filters (sometimes called starburst or crosscut filters) occasionally, though there use is somewhat more limited than I had expected since lights only “burst” pleasantly when they’re in focus. And this year I acquired a Plamp — a rather clever gadget that you can use to suspend things in the air in front of Christmas trees, which I used in several of the photos below to give the impression (maybe) that the doves and angels are floating around on their own.
I have an assistant, also, one who follows me from room to room, picks up whatever I drop, and steps aside when I swear out loud about things that looked so much better in my head (as things often do!) than when I set them up and took the photos. Here he is earlier today, taking a break in his safe spot, right after I knocked over a light stand….
This year, I made a commitment to starting the project early — since I had most of my Christmas decorating done shortly after Thanksgiving — so that I wasn’t scrambling around every day for ten days taking photos, post-processing them, finding poems and quotes, and creating blog posts. Here’s how that worked out:
I took these photos today, found the poem today, and wrote this post today. So much for starting early….
“Gaillardia (Blanket Flower): Handsome perennial and biennial herbs including some of the showiest flowers, valuable for their long duration both on the plants and in a cut state. The genus numbers some half a dozen across, the ray florets having an outer zone of orange-yellow and an inner one of brownish-red, while the centre is deep bluish-purple. It is the commonest kind, and having been raised largely from seed, has many varieties, differing more or less widely from the type, with various names….
“G. picta somewhat resembles G. aristata, but has smaller flowers, and is a biennial. It is dwarfer, and its flowers are brighter. G. amblyodon is a beautiful Texan annual, introduced a few years ago. Its flowers are even smaller than those of G. picta, and are of a deep cinnabar red.
“Gaillardias in many soils soon exhaust themselves by their flowering, and should be renewed periodically from seed, the seedlings being most vigorous and free…. All thrive in good friable garden soil, but not on a cold stiff soil or on one that is too light or dry. Where possible they should be grown in bold groups, for they thrive better if so placed than as solitary plants in a parched border, and no plants have a finer effect in a bed by themselves….”
“The gaillardias, in spite of their French name (after M. Gaillard de Marentonneau, a patron of botany), are natives of North America, whence we have received so many yellow-rayed composites — Coreopses, Heleniums, Rudbeckias, Heliopses, Sunflowers and Goldenrods — that we might be justified in believing that continent to be paved with gold. The gaillardias, however, mix their gold with blood, and Willa Cather speaks of Nebraskan pastures where one of the species ‘matted over the ground with the deep velvety red that is in Bokhara carpets‘….
“The three kinds most usually met with in gardens are the red and yellow G. pulcella (syn. G. bicolor, 1787), perennial although usually treated as an annual, and parent of many garden varieties; the perennial yellow G. aristata, sent by [David] Douglas from the Rocky Mountains about 1826; and G. amblyodon, a red annual from Texas and New Mexico, collected by [Ferdinand] Lindheimer in 1844 and again by [Thomas] Drummond the following year. The name of Blanket Flower was probably given to G. pulcella on account of its grey woolly leaves; but the flower might very well recall the gay colours and zig-zag patterns of the Indian blankets of its native land, and one of the garden varieties is aptly named Indian Chief….”
Now another autumn holds what warmth it can for as long as possible, as I want to hold onto him to keep winter away. Last night the hard frost picked the last delphinium, and the final pair of gaillardia probably will not respond to the warm breath of day. Every garden row is raised in a brown silhouette. Today orange blazes everywhere….
Hello!
On the same trip to Oakland Cemetery’s gardens where I discovered the Cosmos flowers that I wrote about previously (see Discovering Cosmos), I also found another plant that I had never seen before. The red and yellow-tipped flowers below are Gaillardia variants; most likely, I think, Gaillardia pulchella — which is known by several other common names (including “Blanket Flower”), but my favorite is the very descriptive name “Firewheel.”
From the book excerpts at the top of this post, you can learn a little about the characteristics of this plant, its history, and its distribution. When I was processing these photos in Lightroom, I originally thought the blue highlights that you can see in some of the flowers’ centers were artifacts, possibly even a reflection off the blue coat I was wearing, so I removed the blue color. Then I saw the description from The English Flower Garden — “the centre is deep bluish-purple” — and I put the blue highlights back!
“C. bipinnatus is a handsome annual, 3 feet to 5 feet high, having finely-divided, feathery foliage, and large Dahlia-like bright red-purple blossoms, with yellow centres. It is best raised a tender annual by sowing the seeds in February or March in a heated frame, and transplanting in May in good, rich soil with a warm exposure….
“It flowers from August to October, is good for grouping with bold and graceful annuals. There are now varieties rose, white, purple, and orange. C. atropurpurea, called the ‘Black Dahlia,’ is a handsome plant with nearly black flowers, thriving in ordinary soil.”
“From Mexico in 1799 came two near relations of the Dahlia: Cosmos bipinnatus (with leaves arranged like a feather) and C. sulphureus…. The seed had first arrived in Spain, and as with the Zinnia had been sent to England by the Marchioness of Bute. A further pair crossed the Atlantic in 1835, C. diversifolius and one that shows how simple it is for plants to drift away out of fashion and out of nursery catalogues unless they are continually loved and nurtured: C. atrosanguineus, the deliciously chocolate-scented dark maroon annual from Mexico….
“The seed was received in 1835 by William Thompson (1823-1903), who had earlier founded a nursery at Ipswich (which later became the world-famous firm of Thompson and Morgan). The plant made an immediate impact, with its dramatic deep maroon colour, and was widely grown, but despite being admired — and commented on by such plantsmen as E. A. Bowles (1865-1954) — and receiving an RHS Award of Merit in 1938, it fell out of favour. It was only at the very end of the twentieth century that it was ‘rescued’ and recovered its self-esteem to flourish again in our English gardens.”
Oh, that I,
In my demeanour,
Might be like the modest single-petalled
Cosmos flower!
Hello!
Here we have nineteen photos of three varieties of an annual flowering plant called Cosmos, which I stumbled upon while photographing zinnias and asters this fall at Oakland Cemetery’s gardens. It fascinates me that despite making so many photo-trips to these gardens over several years now, there are still discoveries to be made — as I’d never seen these Cosmos before, yet they were just a few feet from spots I’ve stomped around in repeatedly.
There were only a handful of Cosmos plants blooming in a plot of short grass by themselves (so I photographed all of them), though empty stems nearby suggested I might have discovered them at the end of their flowering time. Having now learned a little about this plant, its history, and some of its varieties — briefly covered by the quotation from The Origin of Plants up-top — I’m curious about whether or not the “Black Dahlia” variant (Cosmos atrosanguineus, originally Cosmos atropurpurea) might have been blooming there earlier. I’ll have to try again next year, since the plants have done their late fall disappearing act (as plants do!) — but click here if you would like to see some images of the “Black Dahlia” Cosmos from around the web.
Cosmos is in the Aster family Asteraceae, and these have the typical composite structure of individual florets and tiny seeds. The white and orange varieties look like they’d already ejected seeds from their florets, leaving some of them to look like miniature flying buttresses. Whether those seeds generate another batch of Cosmos next year remains to be seen: it’s not unusual for plants considered annuals in the Southeast to behave more like perennials if we have a mild winter.
In the photos of the purple Cosmos and in the last three photos of the orange ones, you can see their thin, delicate stems and leaves, some as thin as pieces of string or as wispy as ferns — “feathery” as described in the quotations above. The slightest breeze — and some photo-bombing wasps hunting for pollen — sent the flowers bouncing like acrobats, delightful to watch but requiring some patience to photograph. And one of the wasps seemed to match its colors to the orange flowers — so I didn’t realize it was there until the very last stages of working on these photos. See if you can find it!
