"Pay attention to the world." -- Susan Sontag

Turk’s Cap (Martagon) Lilies (3 of 3)

From Seeing Flowers by Teri Dunn Chace and Robert Llewellyn:

“Arguably the world’s most easily recognized and beloved flowers, lilies form a large, sprawling family of around 4000 species. It includes, first and foremost, true lilies, the glorious trumpet-shaped flowers of garden and florist and flower show….

“There are scads of lovely species to delight flower lovers, from the towering Chinese lily,
Lilium henryi, spangled all the way to the top with gold-orange flowers, to the more modest, waist high Canada lily, L. canadense, which sports a good show of black-speckled orange to red flowers, candelabra style. You may have seen the evocatively named Turk’s cap ones, which have recurved petals; these originate from L. martagon and have been widely hybridized. The speckles, dots, or lines on some of these flowers function as air-traffic control for pollinators, guiding them toward the pollen in the center.”


This is the third of three posts showing Turk’s Cap or Martagon lilies I photographed at Oakland Cemetery’s Gardens earlier this summer. The previous post is Turk’s Cap (Martagon) Lilies (2 of 3). If you would like to read more about these lilies and how I created the photos, see the first post: Turk’s Cap (Martagon) Lilies (1 of 3).

Thanks for taking a look!

Turk’s Cap (Martagon) Lilies (2 of 3)

From The Language of Flowers by Anne Pratt and Thomas Miller:

“The ancient poets told that the hyacinth received its name from Apollo, who unfortunately killed his friend, the youth Hyacinth, and then turned him into a flower, that he might ever bathe in morning dews, and drink the pure air of heaven. He is said to have imprinted the expression of sorrow in black streaks upon the leaves of the flower. The ancient festivals at Sparta, dedicated to Apollo, and termed Hyacinthus, were held in memory of this event, and were commemorated by two days of mirth and festivity and one of mourning….

“The flowers mentioned by classical writers have been the subjects of many discussions; and as no marks are found either on the flower or leaf of the plant termed in modern language hyacinth, several flowers have been mentioned by different authors as the hyacinth of the poets….

“It is now, however, generally believed… that the ancient hyacinth was that red species of lily now called the Martagon lily, or Turk’s-cap. Virgil describes the flower as of a bright-red colour; and it was said to be marked with the Greek exclamation of grief, AI, AI. The black marks of the Turk’s-cap may, by a little help of the imagination, be considered to bear this inscription.”


This is the second of three posts showing Turk’s Cap or Martagon lilies I photographed at Oakland Cemetery’s Gardens earlier this summer. If you would like to read more about these lilies — and how I created two sets of seven photos in the styles below — see the first post in the series: Turk’s Cap (Martagon) Lilies (1 of 3).

Thanks for taking a look!

Turk’s Cap (Martagon) Lilies (1 of 3)

From “Martagon Lily” in Lilies for English Gardens by Gertrude Jekyll:

“A very old garden flower, and, though not bright of colour, always a favourite; indeed one can scarcely think of an old English garden without the dull purple Martagon Lilies. The same distinctive form, also commonly known as turn-cap and turk’s-cap, runs through the allied Lilies of many countries, for we have it in the scarlet pomponium of northern Italy and the yellow Lily of the Pyrenees, in chalcedonicum of Greece and Asia Minor, in tenuifolium of Siberia, in superbum and Humboldtii of the United States; all these, with several others, belonging to the great Martagon group.”

From “Into the Garden” in Lilies by Naomi Slade:

“[Cultivated] plants move naturally by a process of diffusion, slowly, passed from individual to individual: but when politics gets involved, this can change dramatically. When great nations form alliances or expedience sees colonists, explorers, missionaries or collectors punch their way into new territories, almost anything that returns down the line is liable to be valued as a treasure or, at least, a fashionable novelty worth acquiring.

“In the sixteenth century, diplomatic amity broke out between the Holy Roman Empire of Western Europe, based in Vienna, and the Ottoman Empire centred in Constantinople, where Ogier Ghiselin de Busbecq was ambassador between 1554 and 1562. Astonished by the gardens he found, he brought back many unusual bulbs, including Turkish native Lilium chalcedonicum. The petals of this variety curl backwards to create a rounded shape, a little like a turban, and it may be the flower that inspired the common name of ‘Turk’s cap lily’.”

Hello! and welcome back!

I always have to speculate a little when I try to identify specific lilies I find in my photographic wanderings at Oakland Cemetery’s Gardens — but I think I’m correct in referring to the lilies in this post (and the next two) as Turk’s Cap or Martagon lilies. “Turk’s Cap” is often used to describe lilies like these, regardless of the specific varieties, because of the distinct up-curved position of the flower petals that form a shape like a turban. Some folks refer to Tiger Lilies (such as those in my previous posts Small Batches of Tiger Lilies (1 of 2) and Small Batches of Tiger Lilies (2 of 2)) as “Turk’s Cap” — though that may be simply a popularized name-choice rather than one that’s botanically accurate. “Martagon” refers to several lily hybrids, of which the lilies in these photographs appear to have membership.

So anyway… I hope that clears things up… hahaha!

It was a bit of a challenge — and also fun, the kind of fun that required a lot of patience — to present these lilies on black backgrounds. The flower petals were easy, since their colors are richly saturated and my focus was sharp enough; but the filaments (the downward pointing green structures, to which the anthers are attached) were a lot harder because — since they were photographed in bright sunlight — they’re somewhat translucent and hard to distinguish from any green shapes behind them. I was never quite satisfied with the results — I mean, I could only poke at so many pixels before “that’s close enough” got stuck in my head — so I created a separate set of the same photos where each image is slightly blurred and softened, and precision didn’t matter as much.

I don’t think of the last seven photos as better or worse than the first seven: they’re just different, created using other options among the endless choices available in Lightroom and (in this case) the Nik Collection software. I typically use Nik Collection very minimally to whiten whites, add some vignetting, and tick-up colors and contrasts; but for these photos I also tried two other techniques. I took the original seven images and added a filter called “Duplex” that provides most of the soft and diffused effect, and one called “Glamour Glow” that further softens and brightens the image, glamorously.


Thanks for reading and taking a look!