"Pay attention to the world." -- Susan Sontag
 
Late Summer/Early Fall Lantana (4 of 4)

Late Summer/Early Fall Lantana (4 of 4)

From The Standard Cyclopedia of Horticulture (1917 edition) by Liberty Hyde Bailey:

“The culture of the florists’ lantana is relatively simple. It is grown under glass for bloom in cold weather and also in the open in summer. It has been improved in its usefulness as a bedding-plant of late years, largely through the efforts of French hybridists. The older varieties were mostly rather tall and lanky, later coming into bloom, and dropped their flowers badly after rain-storms, but were showy in warm and dry weather. The new varieties are dwarf, spreading and bushy in habit, early and free-flowering, and the heads or umbels of bloom average much larger, with florets in proportion; nor do they drop from the plants as did old varieties in bad weather….

“These newer kinds are not so well known as they should be. They are very desirable for any situation where sun-loving bedding plants are used, in groups or borders, window boxes, baskets and vases.”

From “Bedding Out” in Colour in My Garden (1918) by Louise Beebe Wilder:

“Lantanas were favourite bedding plants of yore….

“I remember that my father alway stood out for two lozenge-shaped beds of Lantana on the terrace in front of our old stone house, and how he gloried in their vivacious colours….”


Hello!

This is the last of four posts featuring photos of lantana plants in my garden. The previous posts are:

Late Summer/Early Fall Lantana (1 of 4)

Late Summer/Early Fall Lantana (2 of 4)

Late Summer/Early Fall Lantana (3 of 4)


Whenever I see the word “yore” (as in the second quotation above) — which is of course not often! — I can’t help but think about the Friends episode called The One with the Apothecary Table, where Rachel Green tries to convince Phoebe Buffay that the apothecary table she bought from Pottery Barn was anciently manufactured in historical White Plains and purchased from a flea market for the “old time pricing” of “one and fifty dollars”. There’s a short clip of the episode here, where the first three and a half minutes include two of the apothecary table scenes.

If there’s such a thing as post-consumerist humor, The One with the Apothecary Table is a great example, where the characters as a group simultaneously love and hate mass-produced products, yet respond to the subtle (or not so subtle) advertised messages by opening their wallets and stuffing their apartments with objects from a catalog-created theme.

The episode is a fun play on history also. Subsequently asked to identify an historical era other than “yore”, Rachel adds “yesteryear” — and “yesteryear and yore” briefly re-entered American vernacular as a way to describe ambiguous time periods in the past. I’ve used them myself sometimes, sometimes together and sometimes separately; and the cultural pervasiveness of a series like Friends is so strong that almost anyone who hears the terms knows they’re actually a reference to the comedy of the apothecary tables.

Yesteryear — for example, in 2018 or 2019 or 2020 — I wouldn’t have even tried to convert some of the lantana photos from the previous three posts to images with black backgrounds, because the tiny spaces embedded in the central portion of the blooms were too difficult to brush out without bleeding black onto the flowers themselves. Until I spent several weeks practicing — especially on the Lilies on Black Backgrounds series from this past summer (where I describe my black background technique) — I didn’t have enough experience with Lightroom’s brushes to fill these areas with black where the surrounding structure was as intricate as it is on these lantana flowers.

With macro photos like these, depth is largely a contrast and shadow illusion, an illusion that overlooks the fact that all photographs are two-dimensional renderings of what our eyes would perceive three-dimensionally. Bright-to-dark transitions typically register in our minds as front-to-back perspective, and shadows around edges (as muted as they might be) contribute to that recognition. In other words, if I didn’t leave some of the shadows around the edges of the pink flower buds, those image elements would look flat to the eye, and, as a result, the entire image would look unnatural and artificial.

If you look at one of the original images — say this one, of the first photo below — you will see green color from the plant’s stems and leaves surrounding most of the pink center buds. On my “first draft” of these photos, I kept that green intact, but since most of them had no other green, it seemed distracting so I decided to try and get rid of it.

To remove the green without brushing around each of the little pink pillows, I used a Lightroom feathered and circular brush the size of the pink section only and clicked on a bit of green color toward the center. The feathering setting for the brush kept the pink color intact, retained most of the shadows at the edges of each pink bud, and replaced the green with a black that matched the rest of the background with a single press of the mouse button. No more green — and Voila! — the blossoms themselves totally look like they’re suspended in mid-air!

Thanks for reading and taking a look!







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